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      <title>Artistic, Digital, and Political Creation in English-Speaking African Countries </title>
      <link>https://calenda-formation.labocleo.org/731730</link>
      <guid>https://calenda-formation.labocleo.org/731730</guid>
      <pubDate>Mon, 20 Jan 2020 00:00:00 +0100</pubDate>
      <description>French President Emmanuel Macron announced on 3rd July 2018 in Lagos that a Special Season would be organized in France, from June to December 2020, to mark a renewed partnership with Africa, a “varied, strong and diverse continent that will play a part in our shared future”. Even if this cultural focus cannot be abstracted from a broader geopolitical agenda marred by controversial presidential declarations, it nevertheless has the potential to offer a somewhat different coverage of the continent. One can only hope that it avoids the temptation to officially “curate into being” “exceptional” artists (Dovey), tapping into the all-too-familiar image of Africa as “the supreme receptacle of the West’s obsession with, and circular discourse about, the facts of ‘absence,’ ‘lack,’ and ‘non-being,’ of identity and difference” (Mbembe).  </description>
      <category domain=" http://calenda.org/search?primary=ftype">Appel à contribution</category>
      <category domain=" http://calenda.org/search?primary=fplace">Aix-en-Provence (13621 CEDEX 1)</category>
      <author>celine.guilleux@openedition.org (Céline Guilleux)</author>
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