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      <title>1917-2017: Comparative Looks on the Soviet Artistic Avant-Gardes </title>
      <link>https://calenda-formation.labocleo.org/406190</link>
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      <pubDate>Tue, 30 May 2017 00:00:00 +0200</pubDate>
      <description>The Soviet artistic avant-gardes have been raising a specific interest for a long time. For instance, their multiple practices, their theoretical apparatus, their opuses as well as the influences they exerted have been largely surveyed by the academic world. Ever since the 1990’s a reappraisal of the multiple reuses and reinterpretations of those “avant-gardes” have been carried out. Our international symposium aims to question and put into context that reappraisal and the renewal it induces in the field of scholarly research. The year 2017 as an historical landmark, the centenary of the Russian revolutions, offers a conducive environment for such reflections and thoughts. While evocating various and contradictory narratives, this centenary leads to rethink the vast array of meanings embodied by the revolutionary events as well as to shed a new light on the opuses they produced or lived through. </description>
      <category domain=" http://calenda.org/search?primary=ftype">Call for papers</category>
      <category domain=" http://calenda.org/search?primary=fplace">Saint-Denis (93)</category>
      <author>joao.fernandes@openedition.org (João Fernandes)</author>
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      <title>From Bordeaux to Saint Petersburg, Marius Petipa (1818-1910) and the "Russian" Ballet</title>
      <link>https://calenda-formation.labocleo.org/288866</link>
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      <pubDate>Wed, 02 Jul 2014 00:00:00 +0200</pubDate>
      <description>The great academic ballet, known as « Russian ballet », is the product of a historical process initiated in 18th century in Russia and completed in the second part of 19th century by Victor-Marius-Alphonse Petipa (1818-1910), principal ballet master of the Saint Petersburg Imperial Theatres from 1869 to his death. The Bordeaux symposium will launch a wide range of events which will culminate in 2018 in Marseilles, Marius Petipa‘s hometown, where the bicentenary of his birth will be celebrated. </description>
      <category domain=" http://calenda.org/search?primary=ftype">Call for papers</category>
      <category domain=" http://calenda.org/search?primary=fplace">Bordeaux (33)</category>
      <author>joao.fernandes@openedition.org (João Fernandes)</author>
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      <title>Communications and media in the USSR and Eastern Europe</title>
      <link>https://calenda-formation.labocleo.org/235967</link>
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      <pubDate>Tue, 22 Jan 2013 00:00:00 +0100</pubDate>
      <description>In the social sciences, communications are considered fundamental to the constitution of any society. The technologies and infrastructures for communications are also social institutions in their own right, with their own specific historical trajectories.  With this in mind, we can assume that political regimes that abuse their control of communications engender social atomization, the rupture or weakening of social ties, in that attempts to maintain these ties via communications media may be met with repression.  At the same time, however, it is social relations — “useful” connections – that allow individuals to engage in mutual assistance and to exchange goods and services in the economies of shortage typical of many authoritarian regimes. </description>
      <category domain=" http://calenda.org/search?primary=ftype">Call for papers</category>
      <author>elodie.faath@openedition.org (Élodie Faath)</author>
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