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Batalha
Appel à contribution - Histoire
Materialities and devotion (5th-15th centuries)
V Medieval Europe in motion
Ces dernières décennies ont été marquées par le développement d'études sur la culture matérielle, en privilégiant une approche inter et multidisciplinaire. Ce regard a permis une lecture plus intégrée de la manière dont l’homme médiéval a interagi, a manipulé, a adapté et a transformé son environnement matériel. De ce fait, des visions plus foisonnantes virent le jour sur les utilisations qu’il donna aux objets qu’il produisait, les significations qu’il leur attribuait, la manière dont il les a utilisées au niveau cognitif et affectif.
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Evora
Appel à contribution - Moyen Âge
II International Congress for Young Researchers in Middle Ages
Theme: Space(s)
On 13, 14 and 15 November 2019, the II International Congress of Young Researchers in Middle Ages (ICYRMA) will take place at the University of Évora, Portugal. ICYRMA is destinated to students at master, doctoral and postdoctoral level and/or to those who have obtained their academic degrees in the last five years. It aims to be an interdisciplinary space for dissemination, discussion and contact among young researchers who study the Middle Ages from various perspectives: history, archeology, art history, literature, philosophy, philology, anthropology, ethnology, sociology, geography, methodology, among other areas.
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Athènes
Appel à contribution - Moyen Âge
Transformation, renovation, continuity
Medieval culture and war conference
It is an undeniable fact of human history that war has been on many occasions and in many different historical contexts a powerful stimulus for innovations and change in culture, politicals, and thought. During periods of transition warfare had a crucial role in medieval societies. Following previous meetings in Leeds (2016), Lisbon (2017) and Brussels (2018) the 2019 Medieval Culture and War Conference will be held in Athens in the Faculty of History and Archaeology of the National and Kapodistrian University of Athens (NKUA). The conference will focus on ‘Transformation, Renovation, and Continuity’.
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Coimbra
Appel à contribution - Moyen Âge
Making Sense of Latin Classics in the Middle Ages
12th Celtic Conference in Classics (panel 11)
The aim of this panel is to explore how medieval authors have dealt with the Classical heritage within their own cultural context. This enquiry could illustrate different degrees of exploitation of classical texts: from systematic excerption to scattered quotations naturalized in different frameworks, from the reshaping of biographies, political and philosophical treatises to the reuse of poetical patterns in order to convey new values. Making sense always implies a multiple perspective. The goal of this panel is to encourage the interaction between different points of view – historical, philological, literary, philosophical, scientific – in order to get a better understanding of the cultural background through which the Classics had to pass before reaching us.
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Appel à contribution - Religions
Symbolic and Material Changes to Cult Images in the Classical and Medieval Ages
Iconotropy is a Greek word which literally means “image turning.” William J. Hamblin (2007) defines the term as “the accidental or deliberate misinterpretation by one culture of the images or myths of another one, especially so as to bring them into accord with those of the first culture.” In fact, iconotropy is commonly the result of the way cultures have dealt with images from foreign or earlier cultures. Numerous accounts from classical antiquity and the Middle Ages detail how cult images were involved in such processes of misinterpretation, both symbolically and materially. Pagan cultures for example deliberately misrepresented ancient ritual icons and incorporated new meanings to the mythical substratum, thus modifying the myth’s original meanings and bringing about a profound change to existing religious paradigms. Iconotropy is a fundamental concept in religious history, particularly of contexts in which religious changes, often turbulent, took place. At the same time, the iconotropic process of appropriating cult images brought with it changes in the materiality of those images...The conference hopes to generate new research questions and creative synergies by initiating conversation and the exchange of ideas among scholars in the arts and humanities.
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