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• 01 aoû 2020

  Helsínquia

  Chamada de trabalhos - História

  Liv­ing un­der Em­pires: A View from Be­low

  What have Meso­pot­amian Em­pires ever done for their people? Track­ing the macro in the mi­cro

  In this workshop, we aim to take the view from below and investigate in what way imperial dynamics may have affected the lifeways of people in their territories. The basic questions of this workshop are: How did the empires of the Ancient Near East affect the lives of ordinary people in their realm?  To which extent was rural life and life in smaller towns permeated by imperial agents and policies, hence by imperial dynamics? 

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• 23 nov 2020

  Chamada de trabalhos - Época Contemporânea

  Intersections between the system of production and the cultural system

  FORMA has gone out with a new call for papers for an introductory issue in what will be a five year project exploring the intersection between the system of production and the cultural system. Accepting papers that investigate this subject from a wide array of perspectives, from biopolitics and bioethics, to technology, ecology, education, (geo)political conflicts, and more, this aims to be an interdisciplinary, comparative issue with a focus on the humanities understood broadly. 

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• 15 avr 2020

  Genebra

  Chamada de trabalhos - Sociologia

  Sustainability through Art

  The role of art in and towards sustainable changes

  While the sociology of arts and culture has long dealt with classical sociological questions of artistic production, distribution and reception, the concern for ecological issues and sustainability has only recently been taken up. On the one hand, the artistic field is an economy and an industry like any other, where the use of natural and human resources leads to questions of inequality, access and power relations. On the other hand, it represents a particular case, as intertwined with the issues of sustainability are those of artistic meaning, reception and cultural practices, and social factors different than in other fields. What is the environmental and social impact of art? Can art be sustainable, both ecologically and socially through time, and how? What can we make of the sustainability of art that is made to last long – sculpture, painting, print, recorded production – as well as of the required preservations techniques and places? And, on the other hand, what is the place of ephemeral art when considering sustainability (in all its aspects): street art, graffiti, art installations, live music and theatre? How can art support transformations towards more sustainable societies? A change in individual and collective practices is needed to achieve the SDGs. What role can or do art and artists play in these transformations? Can artists contribute to shaping alternative paths?

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