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Chamada de trabalhos - Representações
Language and Performance: Moving across Discourses and Practices in a Globalized World
European Journal of Theatre and Performance
The European Journal of Theatre and Performance is inviting submissions for its next issue. Against the backdrop of a deeply diversified and often divided global stage, this issue wants to reconsider the fairly strenuous debate on the relationship between language and performance, which has surfaced repeatedly yet in various guises in the field of the performing arts. The editors more specifically invite contributions that critically inquire into how language either enables or impedes the creation and development of performance works, the dissemination of scholarly research, or the reconciliation of local traditions with international tendencies in both the arts and academia. The overarching aim is to shed new light on the intricate connections between language and performance by focusing on the various ways in which performance always operates on the microlevel of concrete practices as well as in dialogue with the macrolevel of larger sociopolitical and cultural contexts.
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Guadalajara
Informações diversas - Linguagem
Contributions of articles for electronic journal Verbum et Lingua
The electronic magazine Verbum et Lingua: Didáctica, lengua y cultura will dedicate its 16th edition (July-December 2020) to the topic of Chican@s studies. Grosso modo, for Ornelas, Ramírez and Padilla (1975), the Chican@s studies have made a great effort to integrate four main constructs: race, class, culture and gender/sexuality. These constructs are present in the work of different artists who express their ideology in order to politicize and lead their community(ies) to change. According to Macias (2018), the Chican@s field of study seeks to make research holistic and multidisciplinary, as well as inclusive, comparative, grounded, up-to-date and critical. At the same time, it seeks to apply the results to social justice, education, as well as to the change of the global Chican@ communities.
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Paris
Chamada de trabalhos - Época Contemporânea
Displaying the social history of migrants: content, scenography, public engagement
Donner à voir l’histoire sociale des migrations: contenus, scénographies, médiations
Le Centre d’histoire sociale des mondes contemporains invite des soumissions de la part de post-doctorants, de récents docteurs et de doctorants à un stade avancé de leur recherche, notamment dans les domaines de l’histoire sociale et des études migratoires, surtout pour autant qu’ils croisent ceux de la muséologie et de l’histoire publique. Les participants discuteront notamment comment donner à voir l’expérience quotidienne des migrations du passé dans toutes leurs dimensions sociales.
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Porto Alegre
Borders, Displacement and Creation. Questioning the Contemporary
International Conference & International Summer University
In September 2011, Porto will be the stage for an International Conference & International Summer University under the theme Borders, Displacement and Creation. Questioning the Contemporary. It will be focusing on the encounter between Contemporary Political Philosophy and Aesthetics, with the contribution of several scientific fields within the Social Sciences and the Humanities. The Conference will be held on the 29th, 30th, 31st August, 3rd and 4th September at the Faculty of Arts of the University of Porto, and on the 1st and 2nd September at Serralves Auditorium. Museum of Contemporary Art. -
Lisbon
Chamada de trabalhos - Antropologia
Reverse-Exoticism: Writing Practices, Alternative Voices and Heritagization
This is a call for papers for a Special Interest Panel inclued in the Tourism and Seductions of Difference Conference (Lisbon, Portugal, 10-12 Sept 2010) directed by Cyril Isnart (Cidehus-Universidade de Évora) and Ema Pires (Cria-Iscte and Univ. de Évora). While academics have studied ‘heritage’ mainly in terms of a national or elite construction, this panel is interested in the increasingly loud claims to ‘heritage’ emanating from minorities and small social groups. Evoking Michel De Certeau (1988), our emphasis here is on analysing ‘scriptural practices’, both as cultural apparatus and means of production and objectification of minorities’ alternative voices.
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