Calenda - O calendário de letras e de ciências sociais e humanas

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Todos	45 965
Chamada de trabalhos	18 002
Colóquio	10 329
Jornadas	7 629
Seminário	4 274
Informações diversas	2 247
Bolsa de estudo, prémios e ofertas de emprego	2 121
Ciclo de conferências	801
Curso de verão	304
Aviso de concurso	258

15 Eventos

1

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Huddersfield

Jornadas - História

Music and Political Democratisation in Late Twentieth Century

This event aims to innovatively question how musical practices formed ways of imagining democracy in the democratic transitions that took place after Portugal’s ‘Carnation Revolution’ in 1974 – what Huntington (1991) called the ‘third wave’ of democratisation, which involves more than 60 countries throughout Europe, Latin America, Asia, and Africa. Rather than studying music’s diverse deployments within these political contexts (music ‘in’ transitions to democracy), these study days place the emphasis upon ways in which music embodies democratisation processes and participates in the wider social struggle to define freedom and equality for the post-authoritarian era (hence the ‘and’ in the title of the event).

Chicago

Chamada de trabalhos - Época Contemporânea

European and global responses to the concept of “literary engagement” between 1945 and 1968

ACLA 2020 panel

The question of “engagement” (or commitment) became one of the defining elements of post-WWII literature and was, for a long period, at the center of the discussions about the relationship between aesthetics and politics in several European countries. Commonly associated with the name of Jean-Paul Sartre, the success of the notion of “committed literature,” however, went well beyond the French national space. This panel focuses on the transnational circulation of the concept of “committed literature” and, more broadly, on the circulation of related notions, such as writers’ “responsibility,” as well as on any type of counter-discourse or counter-theory targeting “committed literature.” We would like to explore the different degrees of transnational propagation and dissemination of these debates both in regions that absorbed the intellectual debates taking place in France and in the case of countries which remained more impermeable to them.

Huddersfield

Chamada de trabalhos - História

Arts and Models of Democracy in post-authoritarian Iberian Peninsula

This two-day conference aims to innovatively question how artistic practices and institutions formed ways of imagining democracy and by what means arts and culture participate in the wider social struggle to define freedom and equality for the post-Estado Novo and post-Francoist period: how did artistic practices instantiate ideas of democracy in this context? Inversely, how did such democratic values inform artistic practice? How did Portuguese and Spanish artists and intellectuals negotiate between creative autonomy and social responsibility? And more broadly, what is the role of culture in a democracy? The core purpose of the conference is to bring scholars together from different subject areas and exploring any artistic practice (literature, visual and plastic arts, cinema and music).

Nanterre

Chamada de trabalhos - Europa

English journeys past and present, explorations of the condition of England

The conference will address the following hypothesis: the illustration of a certain way of being English, of a specific English way of inhabiting and making sense of the world, were given definition and cultural force through a series of writings which record the impressions of things seen in the course of a journey dedicated to the exploration of a territory, whether the land of England in its national extension or the more local territory of a particular community. The organizers are calling for papers which will examine a corpus of writing proposing a first-person observations of a condition of England at various moments in the history of a territory.

Ottawa

Chamada de trabalhos - Representações

Machines et imaginaires musicaux (1900-1950)

Cette journée d’étude propose de reconsidérer d’un point de vue historique, esthétique, analytique et socioculturel la place occupée par les machines dans les musiques de la première moitié du XX^e siècle, époque de prolifération de la technologie de masse.

Huddersfield

Chamada de trabalhos - Ciências políticas

Finding Democracy in Music

For a century and more musicians have sought to relate their practices to the values of democracy. But political theory teaches that democracy is a highly contested category. This symposium aims to interrogate claims for the “democratic” nature of music.

Lisbon

Chamada de trabalhos - Representações

The museum reader: what practices should 21st century museums pursue, how and why?

The international conference The Museum Reader, organised by the Art History Institute of the Faculty of Social and Human Sciences of the Universidade Nova de Lisboa and the National Museum of Contemporary Art – Museu do Chiado, aims to propose thematic lines and noteworthy points to stimulate thought, reflection and debate of new realities, practices and working conditions identified in museums in the 21^st century.

La Rochelle

Chamada de trabalhos - Américas

Women and popular cultures in the anglophone worlds: 1945-2015

This interdisciplinary conference addresses the issue of how, through popular culture and cultural industries, women have been involved in social, cultural, and economic sectors they were previously barred from and what means and channels they have used to invest and invent specific places, spaces, and cultural milieu from the middle of the 20^thcentury to the present time.

Istambul

Chamada de trabalhos - Época Contemporânea

The making of cultural policies

Trans-Acting Matters: Areas and Eras of a (Post-)Ottoman Globalization

This workshop takes place in the framework of the research project “Trans-Acting Matters: Areas and Eras of a (Post-)Ottoman Globalization”. It aims to analyse the making of cultural policies and actions in Turkey and the post-ottoman spaces. We wish to question the ways in which the circulations participate in the construction of cultural policies today as well as to rethink the earlier cultural policies and actions from the late Ottoman Empire onwards. The workshop attempts to question the co-production of cultural policies, of their spaces and territories, as well as the plurality of the conceptions of culture carried by cultural policies. The workshop will focus on the phenomena of hybridity, of connections, and associations of various actors which co-produce original forms of cultural policies.

Porto

Seminário - Época Contemporânea

Another Music in a Different Room

Resultando de todo um conjunto de trabalhos desenvolvidos na última década no quadro das Ciências Sociais (nomeadamente da Sociologia da Cultura, Sociologia da Arte, Sociologia da Juventude, Sociologia Urbana e Sociologia da Música), no Another music in a different room teremos oportunidade de aprofundar o entendimento em torno da importância, funcionamento, processos, atores, características, géneros e subgéneros das cenas musicais urbanas. O Another music in a different room será, assim, um espaço propício para a troca de ideias, para a discussão, e, por isso, um espaço onde com certeza se assistirá a desenvolvimentos no conhecimento científico. Nesse contexto, é nossa intenção partilhar toda esta dinâmica científica com o mundo através da publicação de um e-Book colaborativo, com o intuito de contribuir para um debate mais alargado em torno da música, juventude, cultura, cenas culturais, cenas musicais.

Belfast

Chamada de trabalhos - Época Contemporânea

The Cultures of Popular Culture

Biennial conference of the Royal Irish Academy Committee for Modern Languages, Literary and Cultural Studies

Just as the term Popular Culture describes the widest range of practices, Popular Culture Studies cover the most heterogeneous objects. While this very diversity makes it exciting as a research field, it presents a challenge in terms of methods and approaches. To promote scientific exchanges at international level, Popular Culture Studies need elements of comparability and theorization. The biennial conference of the Royal Irish Academy, hosted by the School of Modern Languages at Queen’s University Belfast, intends to offer a forum for discussion between academics, teaching and researching in the fields of Popular Cultures. It will consider the benefits of studying Popular Cultures in Modern Languages Studies and seek to map current areas of research. It presents a distinctive opportunity to discuss corpora and contrast approaches.

Chamada de trabalhos - Época Contemporânea

Humor and entertainment in popular culture during the Great War

Contributors to this volume will study the role of humor and more largely of entertainment in popular culture during the 1914-1918 conflict. This collective work seeks to evaluate some aspects of transnational war culture by examining seemingly light-hearted discourses on the First World War.

Saint-Denis

Jornadas - Ciências políticas

Uganda and the World

The goal of this one-day conference is to consider the evolution of Uganda’s international relations and its role in the world since the end of the Cold War. The conference will focus mainly on the following topics: Relations with Uganda’s African neighbours; the Lord’s Resistance Army and its impact in the region; and foreign aid and relations with the developped world.

Chamada de trabalhos - História

Musiques et contre-culture(s). Le rock, les sixties, les États-Unis et au-delà

Ce numéro de Volume ! La revue des musiques populaires s’intéressera, par le détour de la musique, aux contre-cultures des années 1960 et au-dela – à ce mouvement hétérogène, son identité éclatée, sa circulation planétaire, ses origines, son influence et ses héritages. Nous invitons ainsi les chercheurs à étudier le phénomène de « la contre-culture » musicale mais aussi à en interroger la définition esthétique, culturelle, politique, historique et chronologique : que fut la contre-culture, et comment la musique l’a cimentée ? qu’est-ce qui l’identifie non seulement spécifiquement dans les années 1960-1970, mais aussi plus généralement au-delà : ses caractéristiques « formelles » (caractéristiques musicales, styles), son idéologie (militantisme, modes de vie) ou ce à quoi elle s’oppose (le système, les « valeurs américaines traditionnelles », la guerre, le capitalisme) ?

Tours

Chamada de trabalhos - História

Liberté et oppression dans le Royaume-Uni des années 1960

Appel à communications pour le colloque international et interdisciplinaire « Liberté et oppression dans le Royaume-Uni des années 1960 » / "Freedom and oppression in 1960s Britain" qui se déroulera à l'Université François-Rabelais de Tours du 17 au 19 novembre 2011.

15 Eventos

1

Filtros selecionados

Inglês
Século XX
Sociologia da cultura