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Paris
Conference, symposium - History
A New Historiographical Field and its Contribution to the History of Europe
German-Polish history is an innovative and stimulating field in the history of Central and Eastern Europe and beyond. We propose to reflect the historiographical and memorial challenges that governed the formation of this field as well as the concepts and methods on which it has since been built. They are now the basis for the dynamics of the field, due in particular to its ability to associate different scales of analysis from the local to the global level. Special attention will be paid to the contribution of Polish-German history and other »bi-national« historiographies like Franco-German history to the project of writing European history especially when it comes to the specific approaches forged or adopted by historians in these fields (transfer, shared history, histoire croisée, connected history, entangled history, Zwischenraum).
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Conference, symposium - Science studies
Alexander von Humboldt and the Earth System Sciences
Alexander von Humboldt and the Earth System Sciences
L'idée de ce colloque d'une journée sur Alexandre von Humboldt est de réunir des spécialistes de diverses disciplines qui couvrent aujourd'hui les nombreux domaines auxquels le travail et les idées de von Humboldt ont contribué, en particulier dans son œuvre maîtresse Kosmos (1845-1862). Nous voulons montrer comment le travail scientifique de ce plus grand encyclopédiste de la première moitié de l'Europe du XIXe siècle est plus que jamais au cœur des questions liées à notre planète d'origine, la Terre, et aux questions posées par notre entrée dans l’Anthropocène.
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Cambridge
Conference, symposium - Thought
The thought of Henri Bergson (1859-1941), one of the most influential theorists of time of the twentieth century, has primarily been confined to the so-called “continental” tradition of philosophy. In the past few years this has started to change; his work has begun to receive ingenious reassessment from philosophers outside the field of “continental” philosophy in general and within analytic philosophy in particular. The aim of this conference is to capture this moment and use it to provide new perspectives on Bergsonian philosophy, expanding and reassessing Bergson’s legacy and producing a major permutation in the philosophy of time.
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The Hague
Conference, symposium - Modern
Cultural encounters in the nineteenth century
The exhibition The Dutch in Paris, which was on show in the Van Gogh Museum, Amsterdam and in the Petit Palais, Paris during the fall of 2017 and spring of 2018 respectively, aimed to visualize the artistic exchange between Dutch and French artists between 1789 and 1914. As part of a larger research project, set up by the RKD – Netherlands Institute for Art History, the exhibition generated so much response that ESNA, in collaboration with the RKD and NWO, decided to organize an international conference on the subject, focusing specifically on international as well as national and local points of encounter and how they facilitated artistic exchange.
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Paris
Conference, symposium - History
War as Contact Zone in the Nineteenth Century
The workshop seeks to encourage further debate on the mechanics of encounter and transfer processes in war during the "long nineteenth century" (1789-1914). It wiil also explore how historians working on this subject can use new digital methods and impact case studies to make their findings accessible to the public. The choice of period is informed by this era’s manifold innovations in such fields as communication, mass transport, weaponry, international law and the conduct of war, which have generated fruitful dialogue on the question whether the nineteenth century set the path for a totalitarianisation of warfare or should instead be evaluated on their own terms.
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Ghent
Conference, symposium - Modern
Male Bonds in Nineteenth-Century Art
The conference will probe, challenge and expand upon the academic narrative of male homosociality through the lens of art history. It aims to establish an overview of a variety of male bonds that underpinned nineteenth-century art, and to consider the theoretical and methodological implications of the study thereof. In so doing, it seeks to build a bridge between traditional art-historical scholarship and the fields of gender and gay and lesbian studies: an interdisciplinary exchange of which the full potential for scholarship on the nineteenth century remains to be exploited.
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Paris
Conference, symposium - History
Publicity, space and time (Europe, 17th to 19th century)
Although bankruptcy was a rather exceptional situation in the life of a merchant, it has explanatory power for routines of economic stakeholders, for their space of experience and their horizon of expectation. We can therefore use the irregularity of failure as an indicator of regularities. Considering the long, non-uniform and unsteady transition from merchant capitalism to industrial and financial capitalism, we suggest to start a dialogue between modernistes and contemporanéistes. The workshop focuses on the various forms of contextualizing business failure and puts forward three major research axes: Covering and Uncovering: Secrecy and Publicity; Economic Space and Area of Jurisdiction; Temporal Narratives of (In)Solvency.
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Paris
Conference, symposium - History
The Production of Imperial Space. Empire and Circulations (XVIIIth-XXth centuries)
The colloquium “The production of imperial space. Empire and Circulations (18th-20th centuries)” aims at bringing together different fields of recent historical investigation into the construction of imperial space. It proposes to use the concept of “circulation” as an entry point to study the imbrication of spaces, of space-producing activities, and of actors, in an imperial context. A “spatial practice” par excellence, circulation produces spaces of its own, both at its most local and at its most global scale. The workshop proposes to study the way circulation – of people, commodities, practices, knowledge and symbols – produces a multiplicity of spaces, interlocked within and between Empires.
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Paris
Conference, symposium - Representation
Objects of Exchange. Art and Economic Encounters
Exchange is classically described by economists as a phenomenon of equalization of values within a given system. When heterogeneous orders of economic rationalities meet, material objects and practices come to embody the paradoxes of dissonant exchange. This symposium aims to explore how artifacts and artistic practices have materialized ruptures within, and encounters between, economic systems in the modern and contemporary period.
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Pessac
Conference, symposium - Europe
First international seminar for post-graduate students in Sport History
A first international seminar for PHD and post-graduate students in sport history (political and cultural perspectives) supervised by Prof. Dave Day (Manchester Metropolitan University) and Prof. J.-F. Loudcher (Bordeaux) is planned at Bordeaux between the 11th September and the 13th September 2017. It is the first of a series of seminars between the two universities (the next will be in Manchester) and will provides an opportunity to establish new relationsships and partnerships with students ands researchers from all over the world. In addition, this one will have a workshop on European project research funding on cultural and political sport coaching in a comparative way for an application in 2018. It is possible to just attend the seminar and the workshop.
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Conference, symposium - Modern
European Society for Nineteenth-Century Art Conference
This year’s two-day international ESNA conference intends to study the various and complex relations between food, the experience of eating, and nineteenth-century art. Although food has always been a subject in the arts, the modes of production, distribution and consumption of nourishment changed radically during the course of the nineteenth century. Food decisively entered the public sphere and consciousness in cities where new sites of consumption in the form of mouth-watering food shops and restaurants emerged. At the same time food became a marker of national identity, of gender identity, of “taste”, of affluence, and of social and economic status.
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Paris
Conference, symposium - Representation
Toward a Geography of Architectural Criticism: Disciplinary Boundaries and Shared Territories
Mapping Architectural Criticism Third International Symposium
This international symposium is part of the ANR research project Mapping Architectural Criticism, which aims to develop a field of research on the history of architectural criticism, from the last decades of the 19th century to the present day. The symposium intends to debate two key questions related to the geographies of criticism: what are criticism’s disciplinary boundaries and which territories has criticism shared from the last decades of the 19th to the end of the 20th century with other disciplines.
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Paris
Conference, symposium - History
The Price of Peace: Modernising the Ancien Régime?
Europe 1815-1848
In many historiographic traditions, the so-called "Restoration" has been depicted as an awkward interval between the Napoleonic Wars and the age of nationalism. This international conference has the ambition of breaking down old myths and stereotypes about the ‘Restoration’ in order to think more broadly and openly about the key transitions and issues. The conference will revolve around the provocative historiographical issue of whether the post-Napoleonic order represented an attempt to reconcile the heritage of the Ancien Régime with a deeply transformed world. Topics explored by panels of invited experts from across Europe will include Rethinking the "Restoration", New departures in international relations, Constitutions vs. Charters, Rebirth of composite monarchies, Before and Beyond the Nation, Historicising the Ancien Régime?, New borders and old identities.
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Berlin
Conference, symposium - Representation
The development of art history as a discipline during the 19th century has been variously associated with the politics of national identity, the needs of a growing bourgeois public in search of cultural capital, or of an expanding art market. However, the role of art training, and art practitioners themselves in the shaping of the discipline remains unexamined. Courses in art history had been systematically introduced in the curricula of art and architecture academies since the late 18th century, and spaces of art education count among the first institutional homes of the discipline, well before the establishment of autonomous university chairs. This conference aims to explore the interactions and productive tensions between art practice and art scholarship in the 19th century.
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Mons
Conference, symposium - History
Tracing mobilities and socio-political activism
19th-20th centuries
This doctoral workshop will explore to what extent the notion of “mobility” in current cultural and social theory (eg. Stephen Greenblatt, John Urry) can be fruitfully applied in historical research. Mobilities can be seen as cross-border movements of persons, objects, texts and ideas.
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Paris
Conference, symposium - Europe
Copyright and the Circulation of Knowledge
Industry Practices and Public Interests in Great Britain from the 18th Century to the Present
This conference seeks to bring together specialists of Great Britain from the eighteenth century to the present to explore the complex relationship between copyright and the circulation of knowledge. We welcome case studies that focus on a particular time period as well as papers that show how attitudes and practices have changed over time.
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Ghent
Conference, symposium - Representation
Comparative analyses of nineteenth-century sketches
A new wave of scholarship has emerged in recent years, which examines nineteenth-century sketches (sometimes referred to as “panoramic literature”) from a transnational perspective. The present international conference seeks to continue this comparative reflection by placing the spotlight on the comparative analysis of texts and images of specific types and by tracing how these representations vary across sketches from different places, media and editorial contexts.
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Amsterdam
Conference, symposium - Modern
Representing the Urban Underbelly in the Nineteenth Century
In conjunction with the exhibitions Easy Virtue: Prostitution in French Art, 1850-1910 (Van Gogh Museum) and Breitner: Girl in Kimono (Rijksmuseum), ESNA (European Society for Nineteenth-Century Art) organizes its annual two-day international conference around the topic of the “urban underbelly” and its depiction in nineteenth-century art. Both exhibitions explore the depiction of women in the margins of urban life – the prostitute, the model, working (class) women, and the women of the entertainment industry.
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Reading
Conference, symposium - History
The War within: finance and morality in early-modern Europe (1630-1815)
While many historical studies have shown that the funding of international warfare had a profound impact on institutional and economic developments, less work has been done on the ways in which European polities responded to the "War within" that pitted those who benefited from war expenditure against those who paid for the military effort. A series of case studies on Spain, Venice, the Dutch provinces, the Austrian Low Countries, Prussia, France, Britain and Sweden will analyse some of the conflicts that arose when the needs and methods of financing war met social demands for morality and accountability. These are fundamental questions that still resonate and have relevance today as governments and societies try to move on from the Global Financial Crisis.
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Oxford
Conference, symposium - History
Gender, Women and the Conservative Party, 1880s to the Present
This two-day international conference explores the relationship between women and conservatism since the late 19th century. In the media frenzy and the re-enactment of the visceral political divisions of the 1980s that greeted the death of Margaret Thatcher in April, 2013, it soon became clear that Britain’s first woman Prime Minister was being portrayed as an aberrant figure who had emerged from a party of men. It appeared that the media and the public had not been well enough served by academics in making sense of and contextualizing the Thatcher phenomenon and, more broadly, the paradoxical sexual politics of the Right.
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