Calenda - Le calendrier des lettres et sciences humaines et sociales

Alle	61 481
Beitragsaufruf	27 174
Kolloquium	12 507
Fachtagung	9 424
Seminar	4 947
Stipendien, Preise und Stellenangebote	3 016
Sonstige Angaben	2 511
Konferenzzyklus	1 014
Thematische Schule	528
Ausschreibung	360

583 Veranstaltungen

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31

Aug

2026

Budapest

Beitragsaufruf - Politikwissenschaften

Rethinking Europe Japan Relations 1868 1913

An Interdisciplinary Unconference

This unconference invites participants to collaboratively explore Europe–Japan relations between 1868 and 1913 – a transformative period spanning the Meiji era and the lead-up to the First World War. Rather than a traditional conference, this event emphasizes dialogue, exchange, and co-creation of ideas. We especially encourage contributions that challenge established narratives, introduce new perspectives, or explore underexamined bilateral connections across Europe and Japan.

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10

Jun

2026

Buenos Aires

Beitragsaufruf - Soziologie

Révéler l’invisible : formes visuelles et audiovisuelles dans la fabrication des mondes religieux

Cet appel à communications s’inscrit dans le cadre du congrès 2027 de la Société internationale de sociologie des religions (SISR), explore les relations entre cultures visuelles, approches audiovisuelles, religions et spiritualités contemporaines. Il réunit des contributions examinant les images non seulement comme outils de recherche mais comme pratiques performatives qui façonnent communautés et imaginaires religieux. Les propositions intégrant des corpus d'images sont bienvenues.

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10

Sep

2026

Turin

Beitragsaufruf - Geschichte

Rencontres avec la mort : imaginaires et symboles macabres entre arts, textes et traditions

XXIIe congrès international de l’Association Danses macabres d’Europe (DME)

Le congrès a pour objet la représentation de la mort dans l’art, la littérature et l’histoire du Moyen Âge à nos jours. À partir du thème emblématique de la Danse macabre, les recherches portent à la fois sur les sujets iconographiques et littéraires qui y sont liés (la Rencontre des trois morts et des trois vifs, le Triomphe de la mort, l’Ars moriendi, le Memento mori, la Vanitas et les thèmes eschatologiques dérivés du Jugement dernier...), sur l’art funéraire monumental (gisants, tombeaux, cimetières...) et sur les pratiques sociales en relation avec la mort (cérémonies funéraires, mémoire des défunts, nécrologies...).

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Cambridge

Fachtagung - Geistesgeschichte

Living together in the Absurd

Making sense when the world doesn’t make sense

According to Camus, the world we live in is absurd. While this can become manifest to us in nearly any situation, Camus is adamant that the world’s absurdity is not owing to any specific features. Rather, it is intrinsically relational and results from the unresolvable tension of two elements : the unbridgeable hiatus between a reason that seeks understanding and a world that remains strictly irrational. If it is our understanding that opens up the world for us, at the same time, the world irrevocably resists being fully grasped. The absurdity thus creates a human desire for clarity that will never see its fulfilment.

01

Jun

2026

Beitragsaufruf - Ethnologie, Anthropologie

Ethnomethodology on art

This call for contributions invites proposals to a two-day roundtable (2-3 July 2026, online) from researchers currently working on the arts in the field of ethnomethodology/conversation analysis (EM/CA).

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Stipendien, Preise und Stellenangebote - Neuere und Zeitgeschichte

Archivorum ARK 2.0

Research Fellowship Programme

Archivorum Ark is Archivorum’s biennial grant program activating the archive as a living process, bringing together established artists and postgraduate students in an intergenerational collaboration to shape artistic legacies through digital archives and critical publications.

Paris

Beitragsaufruf - Mittelalter

Matching couples

Artworks and the meaningful connections among their parts

As an increasing number of studies are demonstrating with growing clarity, the analysis of certain aspects - or more precisely, components - of paintings through the lens of their materiality can reveal crucial insights into the artwork itself. These include not only the materials in the strict sense, such as canvas, wood, or nails, but also their composition as a whole, understood as a unified entity, essential to the artwork.

Beitragsaufruf - Europa

“Locus Sacratissimus”. From Object to Place

The Eucharistic Reservation between the Fourth Lateran Council and the Council of Trent

We are pleased to inform you that next October the III International Conference on Art and Liturgy at the University of Cádiz will take place. This specialised conference, now in its third edition, is entitled “Locus Sacratissimus”. From Object to Place. The Eucharistic Reservation between the Fourth Lateran Council and the Council of Trent.

Paris

Beitragsaufruf - Epistemologie und Methoden

Loss of artworks, reflections on loss in Central, Balkan, and Eastern Europe: corpora, methods, discourses (19th–21st centuries)

This conference aims to explore the loss of artworks in Balkan,Central, and Eastern European studies. We propose to researches three main themes : the loss of the physical media of artworks, the loss as a subject of art and reflection and the loss as a theoretical imagination.

Paris

Fachtagung - Darstellung

Dream Balloons in China and Japan

Between the seventeenth and early twentieth centuries, dream representations in China and Japan made extensive use of speech balloons. Typically, a character has a dream that is represented within a balloon. This international one-day symposium is the second event organized within the Histoires de bulles program which aims to study the speech balloon as an object of knowledge, both in terms of its intrinsic characteristics and its visual and broader cultural ecosystem, with the ultimate goal of identifying an “economy of the balloon” and perhaps even sketching the outlines of a general theory.

Algier

Beitragsaufruf - Studien zur Wissenschaft

Poetry, Rhythm, Song…or What Literature Owes to Music

“Langues, discours et intercultures” journal

The journal Langues, discours et intercultures is launching a call for papers for its volume 10, issue 01 on the theme “Poetry, Rhythm, Song…or What Literature Owes to Music”. This thematic issue aims to explore the relationship between literature and music.

Beitragsaufruf - Geistesgeschichte

In her own words

the many forms in which women played with writing between the Middle Ages and the early modern period

The organisers of the workshop propose an occasion for reflection and dialogue on the literary and non-literary works of women authors from the Middle Ages to the 18th century, with the intention of welcoming original and unpublished papers that can contribute to enriching current knowledge and advance research on the themes, modes and forms of women's writing. There will be a focus on lesser-known figures and contributions related to the activity of as yet not-famous women.

Paris

Kolloquium - Frühe Neuzeit

The history and structure of gardens hold endless surprises and fascinating connections withother disciplines. Originally created as a natural but immutable place offering protection andshelter, gardens have evolved from the hortus conclusus to a place of fantastic architecture,celebrations and wonder. Despite the aesthetic development that was added to the symbolic oneof the medieval tradition, the garden never completely lost its medicinal and practical function,featuring areas dedicated to fruit trees, greenhouses reserved for exotic crops or plants whosemedicinal or dyeing properties were well known

Seminar - Darstellung

TACT - Touch, Arts, Affects

The goal of the TACT network (Touch, Arts, Affects) is to interrogate the experience of touch across arts and media. The fourth series of our webinar will address touch in history, disability aesthetics, and literature.

11 Feb 2026	11 Mär 2026	08 Apr 2026
10 Jun 2026

Paris

Seminar - Neuere und Zeitgeschichte

Cultures visuelles socialistes et décolonisations: circulations, (ré)interprétations et résistances des modèles visuels en contexte de Guerre froide

Au milieu du XX^e siècle, en contexte de Guerre froide, divers pays envisagent le socialisme comme alternative à la domination coloniale. Dans le double contexte de Guerre froide et des décolonisations, le domaine culturel, et notamment les arts visuels (arts plastiques, photographie, cinéma, arts textiles, arts décoratifs, architecture), occupent une place particulièrement importante.

Beitragsaufruf - Darstellung

L’héritage patrimonial des Jeux olympiques de 2024 : du matériel à l’immatériel

Comment les Jeux olympiques et paralympiques (JOP) de Paris 2024 ont-ils contribué à redéfinir les contours du patrimoine français, tant matériel qu’immatériel ? Trois axes de réflexion chronologiques seront travaillés dans ce numéro d’InSitu. Revue des pratrimoines : le projet olympique et état des lieux des patrimoines sportifs avant Paris 2024 ; le temps de l’événement, les patrimoines en fête ? et les héritages des JOP de Paris 2024.

Beitragsaufruf - Darstellung

Mobilising Heritage: Dance, Theatre, and Performance in the Age of (In)Tangibility

European Journal of Theatre and Performance, Vol. 8, No. 1

This turn toward the intangible and communal dimensions of heritage exposed deep tensions between preservation and change, expert authority and bottom-up participation, or institutional policies and bodily practices. These frictions are particularly visible in dance and the performing arts, where heritage is literally embodied, enacted, and reimagined through practice. In what this special issue terms the age of (in)tangibility, the performing arts are recognised as intangible heritage precisely as they are rendered tangible through documentation, digitisation, and policy frameworks, revealing a constitutive tension between embodied, relational knowledge that exists only in practice and the material, institutional forms through which heritage is named, governed, and sustained.

19 Jan 2026	20 Jan 2026	21 Jan 2026
22 Jan 2026	23 Jan 2026

Wien

Kolloquium - Studien zur Wissenschaft

Das Kunstmuseum im Digitalen Zeitalter (2026)

In ihrer mittlerweile achten Auflage nimmt die internationale Online-Konferenz die komplexen Wechselwirkungen von Wahrheit, Fake und Wissenshoheit im Kontext digitaler Transformationsprozesse in den Blick. Angesichts wachsender Desinformation, KI-generierter Inhalte und algorithmischer Verzerrungen stehen Museen vor der Herausforderung, ihre Rolle als vertrauenswürdige Orte der Wissensvermittlung neu zu denken. Gleichzeitig eröffnen digitale Technologien neue Wege der Partizipation, der Kontextualisierung und der Übersetzung. Im Zentrum steht die Auseinandersetzung mit der Frage, wie Museen digitale Verantwortung übernehmen und aktiv zur Stärkung einer offenen, reflektierten Informationskultur beitragen können.

29 Jan 2026	19 Feb 2026	19 Mär 2026
16 Apr 2026

Lyon

Seminar - Darstellung

Cinema Left Undone: A Secret History of Central European and Soviet Films (1920-1990)

The international and interdisciplinary seminar seeks to explore the phenomenon of film scripts that were left undone. Sessions will focus on film projects whose screenplays have been preserved in archival collections but for which no footage was ever produced. Through discussions, the seminar aims to encourage the scholarly community to examine cases from various periods (1920-1930, 1930-1945, 1945-1968, 1968-1990) and from diverse regional contexts (Central Europe, Balkan contexts, Soviet countries).

Turin

Stipendien, Preise und Stellenangebote - Neuere und Zeitgeschichte

After the Enlightenment: Histories, Debates and Reinterpretations

Turin Humanities Programme 6th – 2025-2026-2028 research cycle

Fondazione 1563 is pleased to launch the sixth call for applications of the Turin Humanities Programme (THP) to award up to 4 two year fellowships for advanced studies on After the Enlightenment: Histories, Debates, and Reinterpretations. Candidates are invited to propose projects examining how the concept of the Enlightenment has been constructed, adapted, contested and (re)appropriated in the 19th, 20th, and 21st centuries—that is, after the historical period conventionally associated with it.

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