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• 14 jui 2024

  15 jui 2024

  Berlin

  Journée d'étude - Époque contemporaine

  List, compile, assemble: small forms and the power of collecting

  Workshop of the research training group “The literary and epistemic history of small forms”

  Unraveling the various asymmetries inherent in collecting requires shifting our focus from collections themselves to how collections come into being. This entails viewing collections as both purposeful and contingent results of scientific or cultural practice. Drawing on the history of collecting and the history of paperwork, this interdisciplinary workshop aims to enhance our understanding of the collecting processes involving written testimonies, inscriptions, and texts. With a focus on contexts such as artistic-literary primitivism or colonial encounters, the workshop proposes a comparative examination of the asymmetries associated with collecting via three main axes: actor-networks involved in the production of collections, the role of collecting in the management of life, and how collections emerge from asymmetrical media practices.

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• 30 jui 2023

  Potsdam

  Appel à contribution - Histoire

  Insecure Conditions: ‘Precarity’ and ‘Precarisation’ in Contemporary History

  18th Potsdam Postgraduate Forum on Contemporary History

  At the 18^th Potsdam Postgraduate Forum on Contemporary History, we propose to take the concept of “precarity” as a starting point to inquire into situations of insecure circumstances in contemporary history: (co-)productions and perceptions of them, ways of dealing with them, and their effects on those exposed to them.

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• 06 jui 2008

  07 jui 2008

  Chambourg-sur-Indre

  Colloque - Ethnologie, anthropologie

  Outils et instruments

  Quel est le lien entre un marteau, un pinceau et un violon ? En tant qu’objets du « faire », outils et instruments ont une véritable connivence, et pourtant l’immense variété des activités humaines et des projections qui les accompagnent s’oppose à ce constat. Les outils et les instruments sonnent, entre bruit et musique, ils forment, entre travail de la matière, apparition de l’image et acquisitions de connaissances.Le colloque invite à considérer les outils et les instruments de musique et de science selon une perspective d’histoire de l’art et dans un dialogue interdisciplinaire.

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