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  • Call for papers - Representation

    Fragments of loving discourse in literature and cinema in the Hispanic world

    La revue Savoirs en Prisme propose pour son quatorzième numéro une réflexion sur les champs de l'intime et du passionnel dans les rapports génériques et structurels qu'ils entretiennent avec les expressions littéraire et cinématographique d'Espagne et d'Amérique latine.

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  • Huddersfield

    Call for papers - History

    Arts and Models of Democracy in post-authoritarian Iberian Peninsula

    This two-day conference aims to innovatively question how artistic practices and institutions formed ways of imagining democracy and by what means arts and culture participate in the wider social struggle to define freedom and equality for the post-Estado Novo and post-Francoist period: how did artistic practices instantiate ideas of democracy in this context? Inversely, how did such democratic values inform artistic practice? How did Portuguese and Spanish artists and intellectuals negotiate between creative autonomy and social responsibility? And more broadly, what is the role of culture in a democracy? The core purpose of the conference is to bring scholars together from different subject areas and exploring any artistic practice (literature, visual and plastic arts, cinema and music).

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  • Pessac

    Call for papers - America

    Tribute to Bernard Lavallé. Manuel Gonzalez Prada centenary

    9th international Peruvian conference

    Le neuvième congrès international des péruvianistes aura lieu les 21, 22 et 23 novembre 2018 à l’université  Bordeaux Montaigne dans le cadre du projet « Écritures migrantes : Amérique latine-France ». Les propositions pourront se situer dans différents champs disciplinaires (histoire, ethnologie, littérature, histoire de l’art, sociologie, etc.).

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  • Valencia

    Call for papers - Representation

    Identidades inestables

    Avatares y evoluciones de la subjetividad en las narrativas ibéricas actuales

    ¿Por qué tanto razonar sobre la identidad en las últimas décadas, se pregunta Zygmunt Bauman? Quizá porque, contesta, uno se da cuenta de las cosas cuando éstas ya se han alterado o han dejado de existir. Esta toma de conciencia de un desorden o una ausencia coincide, añade Bauman, con la dislocación epistémica que constituyó el paso de la "era sólida" a una "líquida". Este coloquio internacional se propone debatir en torno a los modos en que se configura la representación de la subjetividad en la narrativa actual y a sus posiciones con respecto a la realidad.

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