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Manchester
Public Disorder: Post-World War II European Art and Its Publics
AAH 2009 : Intersections (April 2-4, 2009)
Following the end of WWII, artists across Europe, both east and west, sought to re-imagine the identity of the public. The internationalist utopia of the historical avant-garde had not come to pass, the populism of the national socialist model had been discredited by Fascism and Nazism, and it was yet unclear what shape the burgeoning commercial public would take in either soviet block or western nations.
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