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Oxford
Digital Humanities Seminar 2010 : Scholarly Editions
This presentation deals with the digital edition of D’Alembert’s eulogy of Bossuet. This text is highly difficult to edit since we have to cope with a printed edition published in two stages and two successive manuscript versions showing various types and levels of corrections.We will explain first these editorial issues and the research problems they are connected to. Then we will expose the way a digital edition could better bring solutions than a traditional printed edition through a series of features showing the genesis process of the text, from the manuscripts to the published versions. Finally we will present some software which makes it possible to edit this text as well as other eulogies with similar characteristics. -
Dublin
Symposium sur la TEI et l'édition scientifique
This symposium, to be held in conjunction with a meeting of the TEI Council, will explore such questions through a series of presentations outlining the current state of the art in institutional publishing operations such as those of universities in the UK, France, US, and Australia, from the point of view of private sector publishers (among which the NLM DTDs are increasingly adopted), and from international initiatives where interoperability has been identified as a major factor (e.g., PEER, which includes European research institutions, repositories, and STM publishers). The objective is to identify current difficulties in making publication systems interoperable and identify priority actions for the TEI to intervene in this arena. -
Paris
Le numérique éditorial et sa gouvernance : entre savoirs et pouvoirs
L’enjeu principal du colloque sera d’envisager le numérique comme sujet des sciences humaines et sociales. Comment le numérique façonne-t-il les pratiques ? Quels modèles économiques pourra-t-on appliquer à leur éditorialisation ? Comment penser la gouvernance des institutions culturelles numériques ?The main challenge of the conference will be to consider the digital as subject matter for the humanities and social sciences. How does digital practice reshape art, humanities and social sciences? What business models will support the new dissemination of knowledge and open access to data? How does the digital reconfigure the governance and management of the cultural infrastructure?
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