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Oxford
Kolloquium - Religionswissenschaften
Elementary Forms of Religious Life: A Dialogue between the Disciplines
Conference organised by School of Anthropology and Museum Studies (SAME), University of Oxford with The British Centre for Durkheimian Studies, Maison Française d'Oxford, and All Souls College, on Saturday 9 - Sunday 10 July. -
Genf
Usages du monde et de la photographie. Regards croisés sur l'œuvre de Fred Boissonnas
Le département de géographie de l'Université de Genève organise une journée d'étude interdisciplinaire consacrée à l'œuvre du photographe Fred Boissonnas (1858-1946), l'un des acteurs majeurs de l’histoire de la photographie en Suisse. En croisant les approches, les savoirs, les points de vue, il s’agit de mettre en lumière la complexité et la richesse de la carrière de ce photographe-voyageur et éditeur, ses influences en Suisse et à l'étranger, et son héritage. L’étude de son œuvre permet de s'interroger sur le développement de l’usage de la photographie dans les sociétés européennes entre 1880 et 1930, comme art mais aussi comme moyen de communication pour appréhender l’ailleurs, le passé, et construire des identités tant locales que nationales. -
Beitragsaufruf - Städteforschung
Call for paper for the third issue of Boundaries-International architecture magazine
Boundaries-international architecture magazine- introduces the second call for papers for the third issue of the review (January - March 2012) on « Architectures of Peace ». We encourage authors to explore any aspect of this topic, on which we wish to open a wide interdisciplinary debate. The deadline for submission of abstract in English or Italian is November 18, 2011 and be should sent by email to redazione@boundaries.it. Please see our website for further information: http://www.boundaries.it/ -
Villeneuve-d'Ascq
La représentation de la guerre dans les conflits récents: enjeux esthétiques, éthiques et politiques
Les vingt dernières années ont vu la dissolution de l’URSS, de la Yougoslavie et de nombreuses guerres et conflits ont agité la planète dans différentes régions du monde (Irak, Afghanistan, Tchétchénie, Israël, Palestine, Somalie, etc...). Le colloque propose de s’intéresser aux différents moyens esthétiques mis en œuvre pour représenter la guerre : films, romans, récits, bandes dessinées, photographie, reportages. -
Lyon
Imagination et histoire : enjeux contemporains
Le laboratoire junior Imag'His, le LARHRA (LAboratoire de Recherche Historique Rhône-Alpes) et le GRAC (Groupe Renaissance et Age Classique) organisent un colloque international à l'École Normale Supérieure de Lyon les 22, 23 et 24 novembre 2012, ayant pour ambition de dépasser la question des rapports entre littérature et histoire en adoptant comme fil conducteur la notion d'imagination, entendue au sens de faculté créatrice. -
Porto Alegre
Kolloquium - Politikwissenschaften
Borders, Displacement and Creation. Questioning the Contemporary
International Conference & International Summer University
In September 2011, Porto will be the stage for an International Conference & International Summer University under the theme Borders, Displacement and Creation. Questioning the Contemporary. It will be focusing on the encounter between Contemporary Political Philosophy and Aesthetics, with the contribution of several scientific fields within the Social Sciences and the Humanities. The Conference will be held on the 29th, 30th, 31st August, 3rd and 4th September at the Faculty of Arts of the University of Porto, and on the 1st and 2nd September at Serralves Auditorium. Museum of Contemporary Art. -
Rouen
Écho et reprise dans les séries télévisées
Colloque international organisé par l’ERIAC (Rouen) et le GRIC (Le Havre)
En envisageant la série télévisée comme objet esthétique, idéologique, narratif et socioculturel, ce colloque pluridisciplinaire se propose d’explorer les enjeux de l’écho et de la reprise dans ce genre télévisuel. -
Palermo
Beitragsaufruf - Ethnologie, Anthropologie
Entre pratiques et théories
In our conference we intend to question the modalities according to which tourist spaces are lived, analyzed and interpreted. The interventions not only of anthropologists, semioticians and geographers, but also of other specialists, are particularly welcome to examine different tourist phenomena starting from the perspective of space. The fundamental principle upon which we wish to base our interrogation is founded on a precise anthropological conception of space. Besides being an abstract concept, in our perspective space constitutes an active element of cultural modeling: space is not a neutral container within which human actions are accomplished independently from its cultural shaping, but a real and true meaningful feature contributing to structure human actions and give them sense inside a society. If we follow this hypothesis, the reflection on tourist spaces takes on a particularly decisive role for many disciplines and for the definition of culture(s) in a more and more globalized world. -
Basel
Images of Animate Movement. Representations of Life
The fascinating paradox that we can see life in abstract images is the starting point of this conference. In a drawing of just a few lines, we can immediately recognize a human figure walking. A moving quadrangle can be seen as a crawling caterpillar. And some well-placed moving points are directly joined together in the form of a dancing couple. Again and again, we are astonished that we can actually see a creature moving in the image – even when the image is of such a reduced and simple nature or when it is not even a temporal moving image. How this impression of animate movement can be explained is what is explored at this conference: how can a simple line or form suddenly transform into something so specifically meaningful? How is this transition – this coming to life – to be described? How can it be constructed in the first place? The conference "Images of Animate Movement. Representations of Life" brings together different domains of knowledge in order to approach the phenomenon of animate movement and its images in its complexity in a new way. -
Padua
Approaches to the history of vision in the modern period, 19th-20th century
The CSC (Centro Interuniversitario di Storia Culturale) is looking for discussants for its fore-coming international conference on "The Gazing Society. Approaches to the history of vision in the modern period (19th-20th century)", that will take place in Padova, Italy at the beginning of 2012. The conference aims to be a stimulating opportunity for approaching the study of "the gazing society" between the 19th and the 20th centuries. Each historical period can be said to be characterized by its own “visual structures“, and, thus, by perceptive experiences, practices and languages which are culturally determined. History, and in particular modern history, can therefore offer a broad scope of research. The aim of the conference is precisely to build a comprehensive picture of the state of the art as well as to foster an international debate on the topic. The conference will be held in Italian and English. -
Paris
Fictions, immersions et univers virtuels
Ces colloques et recherches qui lui sont associées ont pour objectifs de clarifier les rapports entre trois situations d’immersion : 1) l’immersion du sujet en situation réelle, 2) l’immersion du sujet (lecteur ou spectateur) en situation fictionnelle, 3) l’immersion du sujet en situation virtuelle. Plus précisément, ce sont les situations d’interactions entre ces trois sortes d’univers qui seront abordées car chacun désormais ne peut se concevoir de façon autonome. Mais ce seront aussi les modalités des entrées et sorties entre situation immersive et situation non immersive qu’il faudra envisager pour chacun de ces modes d’immersion. -
Volos
Beitragsaufruf - Ethnologie, Anthropologie
Films ethnographiques en Grèce : impressions filmiques de l'alterité
The majority of anthropologists in Greece, like elsewhere, seems reluctant to use visual means in their fieldwork. Obviously they prefer writing texts in order to communicate their work (even if they have collected certain visual footages in the field) instead of filming and assembling their visual data. At the same time, although ethnographic or fiction films are often used in the teaching of folklore, anthropology and sociology, university teachers get rarely involved themselves in their production. -
Southampton
Researchers and practitioners from across disciplines are invited tosubmit abstracts for presentations and posters to be delivered at theVisualisation in Archaeology International Conference at the Universityof Southampton on the 18th to 19th of April 2011. The 2011 Conferencemarks the culmination of the three-year VIA project which has sought toexplore the philosophical and historical dimensions--and futureprospects--of the visualisation of archaeological knowledge. -
Beitragsaufruf - Sprachwissenschaften
Revue d'études comparatives. Art, littérature et philosophie
Call for papers for the fourth issue of FORMA (Journal of Comparated Studies. Art, Literature and Thought). This call is opened and addressed to scholars, PhD students or any researcher who holds at least a BA degree. The deadline for submissions will be April 22th 2011.In each journal, the works published will be ushered by some articles written by well-known prestigious scholars, as well as an interview to an intellectually remarkable person and some reviews of books which might be of academic interest and were published the year before. -
Paris
Konferenzzyklus - Studien zur Wissenschaft
Voir / savoir. Nouvelles perspectives sur le visuel dans les sciences
Cycle de conférences du Centre Alexandre Koyré (2011)
L’essor considérable des études visuelles en science depuis quelques années est en partie une réponse aux interrogations épistémologiques posées par la place croissante de l’image dans la production et la vulgarisation scientifiques contemporaines : nouvelles technologies de visualisation, présence de plus en plus forte d’images, modèles et simulations dans l’enseignement et la recherche, la communication et la muséologie des sciences. Ces études sont un lieu d'échanges fertiles entre l’histoire et la sociologie des sciences et des techniques et l’histoire de l’art, de la photographie, du cinéma mais aussi l’histoire culturelle et des représentations. Ces croisements ont permis de faire émerger de nouveaux objets d’étude et de nouvelles façons d’appréhender et de mettre en perspective historique les « manières de voir » et les représentations visuelles en science. -
Celebrity News: Production, Content and Consumption
This special issue of Journalism: Theory, Practice & Criticism intends to provide a venue for the theoretical, critical and empirical engagement with celebrity news in both national and international contexts. Submissions from all theoretical and methodological perspectives are welcome. Papers may focus on the production, content and consumption of celebrity news, as well as on causes and consequences of celebrity news in contemporary culture. -
Stipendien, Preise und Stellenangebote - Darstellung
Terra Foundation for American Art Research Travel Grants 2011
The Terra Foundation for American Art Research Travel Grants support travel to the United States for research purposes. Three predoctoral grants of $5,000 and three postdoctoral grants of $7,500 (for researchers who have been awarded their doctorate within the past ten years) are available. -
Giverny
Stipendien, Preise und Stellenangebote - Darstellung
Terra Foundation Summer Residency in Giverny
The Terra Foundation for American Art annually offers ten Terra Summer Residency fellowships in Giverny, France, to artists and scholars from the United States and Europe for the independent study of American art and visual culture within a framework of interdisciplinary exchange and dialogue. -
Washington
Stipendien, Preise und Stellenangebote - Darstellung
Terra Foundation for American Art International Essay Prize. In Partnership with American Art
The Terra Foundation for American Art International Essay Prize recognizes excellent scholarship by a non-U.S. scholar in the field of historical American art (circa 1500—1980). The winning manuscript submission should advance understanding of American art and demonstrate new findings and original perspectives. It will be translated and published in American Art, the Smithsonian American Art Museum’s scholarly journal, which will also cover the cost of image rights and reproductions, and the winner will receive a $500 award.
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