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Brussels
Conference, symposium - History
Dealer, collector, critic, publisher…: The « animateur d’art » and his multiples roles
Pluridisciplinary research of these disregarded cultural mediators of the 19th and 20th centuries
The first goal of our symposium is to enlighten the role of the animateur d’art in the development of the arts. We hope that this scientific gathering would help us specify this first formula of the cultural actor: “The animateur d’art is an amateur who actively participates in the defense of the arts and in the stimulation of the artistic creation in a certain period. He puts his numerous networks to work in order to spread ideologies and aesthetics through the cultural environment and the society. He is a key figure positioning himself as a mediator between the different art worlds – the plastic arts as well as between the different agents of the cultural environment. His work consists in building bridges between the artists and his own cultural environment in order to ease the reception of the works and to promote a peculiar aesthetics”.
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