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  • Glasgow

    Appel à contribution - Représentations

    Les enjeux philosophiques de l’œuvre de J.M.G. Le Clézio

    Les Cahiers J.M.G. Le Clézio n°8

    Créée en 2008 en collaboration avec les éditions Complicités, la revue annuelle Les Cahiers J.M.G. Le Clézio réunit textes critiques, témoignages, entretiens, notes de lectures et documents inédits relatifs à l'oeuvre de J.M.G. Le Clézio. Ce numéro 8 des Cahiers Le Clézio « Les enjeux philosophiques de l’œuvre de J.M.G. Le Clézio » se propose d'examiner le rapport entre l'œuvre de J.M.G. Le Clézio et les thèmes philosophiques présents à travers ses romans et ses essais. 

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  • Cambridge

    Colloque - Époque contemporaine

    Reimagining Modernism, Mapping the Contemporary

    Critical Perspectives on Transnationality in Art

    A major, two-day international conference reconceptualising modernist artistic practices from a transnational, interdisciplinary perspective. The conference develops a critical perspective on the proliferating discourses of the transnational, considering how they have reshaped the study of modern and contemporary art and the links that are articulated between them. It focuses on scholarship which foregrounds the methodological implications, as well as the historical unfolding, of transnational developments in and between artistic and curatorial practice. 

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  • Leeds

    Appel à contribution - Moyen Âge

    Sessions Art-Hist International Medieval Congress Leeds 2014

    Autour de la notion d'art impérial

    Le thème du prochain congrès international de médiévistique de Leeds, en 2014, a pour thème « Empire ». Le projet Art-Hist aimerait à cette occasion explorer le thème de l'art impérial à travers le titre suivant : “Images et formes impériales: approches historiques et historiographiques » afin de tenter de répondre à quelques questions : a-t-il existé un « art impérial » aux époques carolingiennes et ottoniennes ? Commet peut-il être défini ? Dans l'art médiéval, comment est suggérée ou évoquée l'idée d'empire ? Comment fonctionne dans l'oeuvre d'art ce principe d'évocation ? Comment les empereurs ont-ils utilisé ces formes et ces images pour la construction de leur pouvoir et de leur histoire ?

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  • Londres

    Appel à contribution - Histoire

    Revisiting Early Modern Prophecies (c.1500 – c.1815)

    Conférence internationale sur la prophétie en Europe et dans le monde méditerranéen à l'époque moderne. La conférence se tiendra à Goldsmiths, Université de Londres, du 26 au 28 juin 2014.

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  • Cambridge

    Appel à contribution - Religions

    Visions of Enchantment

    Occultism, Spirituality & Visual Culture

    This two-day event is a collaboration between the Department of History of Art, University of Cambridge and the Arts University Bournemouth and is organised in association with the European Society for the Study of Western Esotericism. The conference seeks to investigate the formative role that occultism and magic have played in Western and non-Western visual and material culture. It aims to present original research in this feld as well as to establish a productive dialogue between academics with a particular research interest in occultism and visual culture. We invite proposals from a variety of disciplines and perspectives, provided that they present innovative insights into visual, symbolic or material aspects of the esoteric tradition. 

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  • Coventry

    Appel à contribution - Histoire

    Representing Prisoner of War Experience

    This one-day international conference will bring together researchers studying the experiences of prisoners of war and displaced people in times of conflict, with a particular focus on how these experiences have been narrated in various forms, both by the historical actors who underwent forced dislocation (captors and captives) and by researchers themselves. 

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  • Leeds

    Colloque - Représentations

    War, Memory Amnesia: Francophone Perspectives on postwar Lebanon

    This is the first conference in the UK to bring colleagues from across the globe to discuss francophone memory cultures and has been funded by the Leverhulme Trust, the Society for French Studies, the Institut français, SMLC and our own French subject area. Registration is open at the following site: http://store.leeds.ac.uk/browse/product.asp?catid=480&modid=1&compid=1

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  • Oxford

    Colloque - Moyen Âge

    Performing Medieval Text

    Le colloque Performing Medieval Text a pour but de faire rencontrer enseignants-chercheurs et étudiants de troisième cycle autour du thème de « l'interprétation » (performance) des textes, de la musique et de l'art au Moyen Âge. Les conférences plénières seront présentées par Dr Florence Bourgne (Paris-Sorbonne) et Prof. Franz Körndle (Augsburg); un concert sera donné par Ensemble Leones (dir. Marc Lewon).

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  • Greenwich

    Bourse, prix et emploi - Histoire

    Student research intern programme: History of science and technology

    National Maritime Museum UK 2013-2014

    The Museum created this intern programme to further develop its research activity in the vital fields of time, navigation, astronomy, cartography and nautical technology. Our collections in this area are world-class and we need to ensure they are well researched so that the Museum can make them accessible to a wide range of audiences.

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  • Exeter

    Appel à contribution - Moyen Âge

    Guillaume de Machaut: Music, Image, Text in the Middle Ages

    As part of a three-year Leverhulme-funded project on the musical and literary works and manuscripts of Guillaume de Machaut, led by Prof Yolanda Plumley at the University of Exeter, we are holding a conference drawing together all aspects of current Machaut scholarship. 

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  • Oxford

    Appel à contribution - Moyen Âge

    Performing Medieval Text

    Interdisciplinary Graduate Conference

    The conference Performing Medieval Text sets a broad framework for philologists, art historians, musicologists, historians, and theologians to discuss the multi-faceted relationships between text and performance in the European Middle Ages between ca. 1150 and 1400. 

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  • Oxford

    Appel à contribution - Représentations

    Diasporic Subjectivity, Intimacy and Memory

    Cette rencontre, intitulée "Diasporic subjectivity, Intimacy and Memory" aborde la façon dont la condition diasporique affecte les représentations de soi, de la sphère de l'intimité et les processus mémoriels. Les contributions seront issus de différents horizons disciplinaires, tant des sciences sociales que des études littéraires et artistiques, et porteront à la fois sur les processus sociaux et sur la façon dont ils sont abordés par les artistes. 

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  • Londres

    Appel à contribution - Géographie

    Ambiance and Atmospheres: Encountering New Material Frontiers

    RGS-IBG Annual International Conference 2013

    Recent work on affect in Anglophone human geography has opened up new material frontiers by theorizing affective atmospheres (Anderson 2009; Bissell 2010; McCormack 2008). In such work we see an adjustment of thinking towards and around the relations between bodies and their environment by considering the ways in which bodies are situated within diffuse, distributed, sensible, and potentially turbulent volumes. Such an emphasis on the atmospheric, taken in both its meteorological and felt/affective sense, is in many ways tied to an expanded conception of materiality that draws attention to “the vibrant, constitutive, aleatory, and even immaterial indices” of materiality and materialization (Coole and Frost 2010: 14; Bennett 2010).

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  • Londres

    Bourse, prix et emploi - Représentations

    Visiting Professorships at the Courtauld Institute of Art, London, 2013-2015

    Sponsored by the Terra Foundation for American Art

    Visiting Professorships at the Courtauld Institute of Art, London, 2013-2015 The deadline for all professorship applications is January 15, 2013. Two professorships are available at the Courtauld Institute to present the best recent scholarship on historical American art. A twelve-week professorship requires administering one full-term course integrated with the institute’s curriculum and participating in other scholarly activities. A one-week intensive professorship entails a public scholarly event, a seminar, and a special visit to a London gallery, archive, collection, or library relevant to American art history. Stipends are determined by seniority of the scholars. For more information, please visit courtauld.ac.uk.

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  • Londres

    Bourse, prix et emploi - Représentations

    Postdoctoral Teaching Fellowship at the Courtauld Institute of Art, London, 2013-2015

    Sponsored by the Terra Foundation for American Art

    Postdoctoral Teaching Fellowship at the Courtauld Institute of Art, London, 2013-2015 The deadline for all fellowship applications is January 15, 2013. This two-year postdoctoral fellowship supports advanced inquiry in the history of American art, conservation, and museum studies and is integrated with the postdoctoral fellowship program of the Courtauld Institute of Art Research Forum. The selected fellow teaches three historical American art courses, participates in scholarly activities organized by the institute, and organizes an international scholarly event. Fellow receives a $134,564 stipend (over two years). For more information, please visit courtauld.ac.uk.

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