Sort

By publication date

By relevance

• 15 nov 2014

  Paris

  Call for papers - Modern

  Les droites latino-américaines pendant la guerre froide (1959–1989) : l’autre révolution ?

  Les Cahiers des Amériques latines

  Les Cahiers des Amériques latines, journal ot the Institut des hautes études sur l’Amérique latine (université Sorbonne Nouvelle Paris 3) invites social scientists to deepen this exploration of the Latin American Right Wings during the Cold War (1959-1989). Assuming that we can not understand them without inscribing their temporality and historicity in the Cold War, we will ask us if there is a new political generation emerging in the 60’s and if this generation is connected to the neo-conservative revolution of Ronald Reagan and Margareth Thatcher in the 80’s. This issue, to be published in the fall of 2015, will focuse on the circulation of ideas and theories, actors and practices, symbols and subjectivities of political parties and political leaders, but also of social, economic and cultural actors. It will favor empirically based articles with a comparative reading of Latin American Rights or with a connected history approach within the Euro-American space.

  Read announcement

• 10 mar 2014

  11 mar 2014

  12 mar 2014

  Paris

  Conference, symposium - Representation

  Revolution and cinema: the Portuguese example

  In honour of the fortieth anniversary of the Carnation Revolution, this three-day international conference seeks to interrogate the cinematic representation of the political event from 1974 to today. Paul Ricœur states that “rethinking is a form that cancels temporal distance.” To rethink the revolution would then entail making the revolution present, making it come alive, bringing the past and the present together, questioning the effects of the passing of time on the images, the narratives and on cinema itself as an historical device. Today’s acute economic and political crisis in Portugal shakes the very foundations of April’s democracy, and this legacy could perhaps use the present as the inaugural strength of another history to come. Taking the cinema of revolution as a nodal point and as a major historical shift, which links – other than referential and chronological ones –, unify the pre- and post-revolutionary Portuguese cinemas? In other words, how can this idea of “revolution” remain, irrigate and illuminate Portuguese cinema?

  Read announcement