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Paris
Conference, symposium - Language
Discrepancies: the life and work of José Rodrigues Miguéis
Lorsqu’il quitte le Portugal pour les États-Unis en 1935, José Rodrigues Miguéis (1901-1980) est un écrivain prometteur et un journaliste et militant politique reconnu, ancien membre du groupe Seara Nova, maintenant proche des communistes. À New-York, il poursuit ses activités militantes durant une dizaine d’années puis, après une grave maladie et une tentative infructueuse de retour définitif au Portugal, il finit par se consacrer pleinement à l’écriture. La majeure partie de son œuvre ne sera publiée en volume qu’à partir de 1958, à près de soixante ans, si bien que l’écrivain exilé se retrouve en décalage avec le Portugal (ses lecteurs, la société et la dictature en vigueur), mais aussi avec la vision du monde ayant présidé à l’écriture d’une grande partie de ses écrits inédits. C’est dans le cadre de ce parcours biobibliographique particulier que les communicants s’intéresseront à l’œuvre fictionnelle et non fictionnelle migueisienne. Alors que son œuvre est de plus en plus étudiée au Portugal, aux USA et au Brésil, ce premier colloque consacré à José Rodrigues Miguéis en France sera l’occasion de mieux faire connaître cette grande figure méconnue de l’histoire culturelle portugaise du XXe siècle.
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Sao Paolo
Call for papers - Early modern
Intermediate Groups in the Portuguese Dominions, 16th-18th century
Revista de História (Universidade de São Paulo)
The Revista de História of the University of São Paulo (Brazil) invites interested scholars to submit proposals for articles to be published as part of a ‘dossier’ concerning intermediate groups in the Portuguese dominions on the Early Modern Age. Throughout that period, ‘middle people’ strove to assert themselves in rural areas and helped to shape old and new urban centers in the Portuguese World, corresponding to an increased demand for specialized services and ensuring the necessary extensions of royal representation functions and Church activities. Even though almost non-existent in juridical or normative terms, those groups were recognized both by nationals and foreigners as a complex and vibrant intermediate social layer. Time has come to try and distinguish its specificities, trends of formation and effective roles in social dynamics.
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Paris
Conference, symposium - Representation
Revolution and cinema: the Portuguese example
In honour of the fortieth anniversary of the Carnation Revolution, this three-day international conference seeks to interrogate the cinematic representation of the political event from 1974 to today. Paul Ricœur states that “rethinking is a form that cancels temporal distance.” To rethink the revolution would then entail making the revolution present, making it come alive, bringing the past and the present together, questioning the effects of the passing of time on the images, the narratives and on cinema itself as an historical device. Today’s acute economic and political crisis in Portugal shakes the very foundations of April’s democracy, and this legacy could perhaps use the present as the inaugural strength of another history to come. Taking the cinema of revolution as a nodal point and as a major historical shift, which links – other than referential and chronological ones –, unify the pre- and post-revolutionary Portuguese cinemas? In other words, how can this idea of “revolution” remain, irrigate and illuminate Portuguese cinema?
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Paris
Call for papers - Representation
Revolution and cinema: the Portuguese example
In honour of the fortieth anniversary of the Carnation Revolution, this three-day international conference seeks to interrogate the cinematic representation of the political event from 1974 to today. The conference’s first aim is to take the word “revolution” in its primary and etymological sense of “return.”
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