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  • Call for papers - Epistemology and methodology

    The Geographical Information of Art History: How and Why to Retrace the Circulation of Knowledge and Facts

    Artl@s Bulletin 4, 2 (Fall 2015)

    The spatial turn in humanities has enticed various disciplines to deconstruct the making of artistic facts: studying the circulation of artworks and artists now appears to be a fertile way to uncover the rationales, the constraints and the transgressions that shape the historical geography of art. This ‘return to facts’ calls for a closer examination of the methods used to identify, collect, re-assemble and interpret the geographical information produced by artistic activity. To examine the traceability of artistic knowledge and facts is the primary aim of this issue of the Artl@s Bulletin.

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  • Ghent

    Call for papers - History

    Historical Network Research

    This conference follows up the Future of Historical Network Research (HNR) Conference 2013 and aims to bring together scholars from all historical disciplines, sociologists, other social scientists, geographers and computer scientists to discuss the emerging field of historical Social Network Analysis. The concepts and methods of social network analysis in historical research are no longer merely used as metaphors but are increasingly applied in practice. With the increasing availability of both structured and unstructured digital data, we should be able to analyze complex phenomena. Historical SNA can help us to cope with the organization of this information and the reduction of complexity.

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  • Madrid

    Call for papers - Information

    Congreso 2014 de la SEECI (Sociedad Española de Estudios de la Comunicación Iberoamericana)

    Congreso sobre Innovación y Docencia

    The Congress of the SEECI 2014 treats on the last advances in Innovation - investigation and Teaching in the university area. The texts can be presented in the languages: Spanish, English, Portuguese and French. The Congress results will be published in 3 books of paper each one by his own ISBN, one in USA (in English), other one in Portugal (in Portuguese) and other one in Spain (in Spanish or French, as it is the language of the original contribution). The author only will write in a language and the publishing houses of USA and Portugal they will translate it into his languages for his books.

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