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  • Call for papers - America

    All Fontanarrosa: The Work of a Complete Humourist

    When the Argentine Roberto Fontanarrosa passed away in 2007, a national day of mourning was declared and his funeral was attended by thousands. Although Fontanarrosa was much loved and both the man and his works have received public recognition time and again, there are very few published academic works on his œuvre to this day. This proposed anthology seeks to fill this gap by paying attention to Fontanarrosa’s work as a whole

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  • Medellín

    Call for papers - Language

    Rewriting: logic of repetition?

    III International Conference in Narratives

    The third International Conference in Narratives, organized by Universidad EAFIT (Medellín, Colombia) and Università degli Studi di Padova, proposes rewriting as an object of reflection from the arts, humanities, social sciences and communication sciences. To interrogate the gesture of writing a text again, it involves accounting for an operation that, in its apparent simplicity, shows the experience of time and repetition, the recording of memory, the tension between imitation and difference, and the means of reproduction and creation. Along its relationships, objects and notions that it implies, the gesture of rewriting is exemplary and heuristic; it has become a model for understanding various phenomena and cultural practices.

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  • Barcelona

    Call for papers - Middle Ages

    Episcopal, Canonical and Secular Memorial Devices in Medieval Cathedrals

    Art, Architecture, Liturgy and Writing

    TEMPLA invites international researchers into medieval art history and related disciplines to debate the concept and expression of “dynamic episcopal and canonical commemoration” which occurred in European episcopal sees during the medieval period. The concept of commemoration goes beyond the funerary to include all those works, activities and uses of space that transmit through time a record of bishops and canons, their institutions, and important lay people. These commemorative works, however, were grafted onto a common setting that was in use over a long period of time. Thus, each cathedral setting witnessed the emergence of different dynamics in terms of the interactions and intersections between individual and/or collective memory. 

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  • Rome

    Call for papers - History

    Merchants, jurists and other "intermediate groups" in Early Modern Southern Europe

    Merchants, farmers, jurists, clerks in large institutions, secretaries, independent landowners, local elites and highly sought master craftsmen, among many others, are individuals with an ambiguous social status. Looking at who was not born exactly noble, nor exactly commoner, but stood on the border between one world and the other, is one of the goals of this initiative. As part of a project developed in Portugal focusing on the Holy Office’s familiaturas, it will be held on September 16 and 17, 2015, a workshop at Escuela Española de Historia and Archaeological in Rome. Our aim is to select a total of 8 applicants, that will be joined by 4 guest speakers, for a joint reflection on the dynamics and profiles of ‘intermediate groups’, as well as on the methodologies for their study in Early Modern Times.

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  • Avanca

    Call for papers - Thought

    Avanca | Cinema 2015

    International Conference Cinema – Art, Technology, Communication

    During five days, in the small village of Avanca, cinema was the unifying theme which provokes fruitful encounters between participants and convert Avanca into a Cinema Village, a stage for sharing, debate and dissemination of their research. The Avanca | Cinema asserts itself as a unique and important conference on the national  and international scene, not only due to the average number of participants but also thanks to the broad range of themes presented in the last five editions. Moreover, the fact that this happens along with the Avanca Film Festival creates a complete event offering a varied program with workshops, screenings, book presentations, roundtables, plenary and parallel sessions to many researchers, academics, filmmakers, producers, actors, critics, technicians, moviegoers, among others.

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