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Liberation struggles, the “falling of the empire” and the birth [through images] of African nations
The fortieth anniversary of Portuguese decolonisation of Africa has acted as a catalyst in discussing how Portugal “imagined” colonial politics through moving images and how these propagandist portrayals began to be questioned by the Portuguese “Novo Cinema”. This can be seen in works that were censured and prohibited. Portuguese colonial cinematographic representations were later challenged by films made in the context of the liberation movements and by images that emerged out of the national cinematographic projection (Frodon) of the new Portuguese-speaking African countries. This conference intends to go some way in highlighting common aspects in the emergence of cinema in Angola, Mozambique and Guinea-Bissau, which have all been studied individually.
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Conference, symposium - History
The War within: finance and morality in early-modern Europe (1630-1815)
While many historical studies have shown that the funding of international warfare had a profound impact on institutional and economic developments, less work has been done on the ways in which European polities responded to the "War within" that pitted those who benefited from war expenditure against those who paid for the military effort. A series of case studies on Spain, Venice, the Dutch provinces, the Austrian Low Countries, Prussia, France, Britain and Sweden will analyse some of the conflicts that arose when the needs and methods of financing war met social demands for morality and accountability. These are fundamental questions that still resonate and have relevance today as governments and societies try to move on from the Global Financial Crisis.
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