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• 13 nov 2015

  Paris

  Fachtagung - Sprachwissenschaften

  Theoretical and Empirical Approaches to Emotion Studies in Linguistics

  The goal of this workshop is to bring together different cognitive and functional linguistic approaches to emotion studies that are currently prominent in this field of research. The workshop will open with a lecture by one of the most important contributors to linguistic theory on emotions, which will be followed by three representative empirical studies that employ different approaches to observational data.

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• 28 avr 2015

  29 avr 2015

  Paris

  Kolloquium - Psychologie

  The Brains that pull the Triggers

  Paris Conference on Syndrome E

  The transformation of groups of previously nonviolent individuals into repetitive killers of defenseless members of society has been a recurring phenomenon throughout history. This apparent transition of large numbers of so called “psychologically intact”, “ordinary” individuals, to perpetrators of extreme atrocities is one of the most striking variants of human behavior, but often appear incomprehensible to victims and bystanders and in retrospect even to the perpetrators themselves and to society in general. This transition is characterized by a set of symptoms and signs for which a common syndrome has been proposed, Syndrome E (Fried, Lancet, 1997). The purpose of such designation is not to medicalize this form of human behavior, but to provide a framework for future discussion and multidisciplinary discourse and for potential insights that might lead to early detection and prevention. The Brains that Pull the Triggers, a special conference under the auspices of the Paris Institute for Advanced Studies, will bring together scientists and scholars from the human, social and brain sciences along with guests from literature, politics, and law to bear upon this tragic invariant of the human condition.

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• 18 jan 2015

  Lüttich

  Beitragsaufruf - Frühe Neuzeit

  Over and Over

  Exploring repetition in popular music

  Over and Over: Exploring repetition in popular music aims at identifying and studying the recent aesthetic and analytical developments of musical repetition. From the 32-bar forms of Tin Pan Alley, through the cyclic forms of modal jazz, to the more recent accumulation of digital layers, beats, and breaks in Electronic Dance Music (EDM), repetition as both an aesthetic disposition or formal musicological property stimulated a diversity of genres and techniques. After decades of riffs, loops, vamps, reiterated rhythmic patterns, as well as pervasive harmonic formulae and recurring structural units in standardized song forms, the time has come to give these notions the place they deserve in the study of popular music.

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