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• 18 déc 2015

  Amsterdão

  Chamada de trabalhos - Representações

  City of Sin: Representing the Urban Underbelly in the Nineteenth Century

  European Society for nineteenth-century art Conference 2016

  The European Society for nineteenth-century art (ESNA) invites all nineteenth-century devotees to submit a proposal for the 2016 conference "City of Sin: Representing the Urban Underbelly in the Nineteenth Century".

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• 21 mai 2015

  22 mai 2015

  A Haia

  Ciclo de conferências - História

  Friend or Foe: Art and the Market in the Nineteenth Century

  The attitudes towards art dealers in the nineteenth century are rather diverse. The aim of this conference is to bring together case studies from a wide variety of (inter)national, chronological and artistic contexts which critically examine both the (alleged) impact of nineteenth-century art dealers on the art world and the sites of resistance towards this impact.

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• 21 avr 2015

  A Haia

  Colóquio - História

  Towards a New History of World War II?

  The history of WWII has been being written for the last 70 years. Witnesses, historians, actors, writers and many others have constructed our representation of the event. How will the WWII historiography evolve in Belgium and the Netherlands? How should historians interact with memorial politics and new media? Is it still relevant to consider WWII as a separate topic for research? How do digital humanities play a role? The latter are but a small number among the many questions that will be discussed at this international congress.

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• 12 jan 2015

  Roterdão

  Chamada de trabalhos - História

  Économie(s) de la collection naturaliste au XVIIIe siècle

  XIVe congrès international d’étude du XVIIIe siècle (ISECS), Section 7 / panel 4

  Au cours du XVIII^e siècle, l’étude de l’histoire naturelle connaît un essor considérable et devient une mode sociale et culturelle, dont la collection de spécimens des trois règnes se fait l’indispensable corollaire. Véritable dispositif de savoir, le cabinet se présente comme un espace de reproduction mimétique du monde naturel, dont il donne à voir et à lire, sur le mode de l’abrégé, la complexité de l’ordre naturel ainsi que ses beautés. Mais l’engouement concerne également des dispositifs de collection plus spécifiques, et de taille plus modeste comme, par exemple, l’herbier. Notre séance se propose de questionner les différentes formes de l’économie de la collection naturaliste au XVIII^e siècle. Il sera donc question d’interroger la circulation, l’échange et de la consommation d’objets d’histoire naturelle dans une perspective intellectuelle, sociale, monétaire et symbolique.

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