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Brussels | Namur | Liège
Conference, symposium - Middle Ages
Mosan Art (1000-1250): an art between Seine and Rhine?
Reflections, assessments, perspectives
Ce colloque consacré à l'art mosan est né de la volonté de rassembler des chercheurs de différents horizons en leur donnant l'occasion de présenter leurs recherches et de confronter leurs points de vue et méthodologies.
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Brussels
Unlocking Sound and Image Heritage. See, Listen and Share
SOIMA 2015 International Conference
The conference is based on the collective experience of ICCROM’s multi-partner programme on Sound and Image Collections Conservation (SOIMA), which organized five capacity building initiatives (four international and one regional) in Africa, Asia, Europe and Latin America during 2007-2014. Building on SOIMA’s global insights from bringing together 89 sound and image professionals from 55 countries to date, the 2015 conference is making a strong case for looking beyond professional and institutional boundaries, actively listening to each other and sharing strategies to ensure a safe and creative tomorrow for sound and image heritage. The conference aims to promote the sound and image heritage held by diverse and lesser-known cultural and research institutions, as well as individual collectors.
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Brussels
Francis I and the Artists of the North (1515-1547)
As an extention of the events of 2015 celebrating the 500th anniversary of the accession of Francis I (1 January 1515) and the victory at Marignan (13-14 September 1515), the symposium will focus on the ties between the "grand roy Françoys" and the North. Whereas the exchanges between Francis I and Italy have attracted much attention, the King’s relations with the old Southern Netherlands, as rich and complex, have not been carefully studied. The symposium "Francis I and Artists of the North (1515-1547)" aims to fill this gap by considering the interest of the King of France in artists and musicians from the old Southern Netherlands and their works.
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Ixelles-Elsene
This conference this aims at providing a new understanding of exile as a theoretical concept, analytical category, and lived experience in the study of the translation of (literary) texts. It will touch on questions of multilingualism and displacement, and on their methodological implications for translation studies, first and foremost with regard to translating literary texts as a political and cultural practice. The goal is thus to further our understanding of the authors’ experiences of exile, their function, opportunities and problems as (self-) translators. It aims at circumnavigating a broad spatial and temporal spectrum. The focus of the conference is neither limited to the analysis of translation in the context of European languages and cultures, nor to one specific historical period.
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