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Lisbonne
Appel à contribution - Moyen Âge
Medieval Europe in Motion 3
L’objectif principal de ce nouveau colloque, en continuité thématique avec les deux éditions précédentes, est d’analyser les phénomènes de circulation et de mobilité des élites lettrées (clercs, universitaires, praticiens), des enlumineurs, des manuscrits, des textes, des modèles artistiques et des idées liés à la pratique du droit dans le territoire européen avec une attention particulière pour les contrées méridionales (péninsule Ibérique, France du Midi et Italie).
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Lisbonne
Appel à contribution - Études urbaines
The Paradigmatic City: Origins, Avatars, Frontiers
Ao longo da história da civilização, as cidades oferecem-nos paradigmas. Elas personificam formas ideais de vida social; surgem como capitais de impérios, mas também como centros de uma identidade nacional, cultural e religiosa; são focos de desenvolvimento económico e político. Todas estas formas se revestem de particular interesse para este congresso. Muitas cidades podem ser consideradas paradigmáticas: Atenas ou Roma, na Antiguidade Clássica; Veneza e Florença, como reflexo das dinâmicas transformações do Renascimento; Londres, Paris e Berlim, como capitais da Modernidade; Nova Iorque, Rio de Janeiro, Tóquio ou Xangai, como epítomes das novas metrópoles em franco crescimento.
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Lisbonne
Appel à contribution - Ethnologie, anthropologie
Glazed Ceramics in Architectural Heritage
Glaze Arch 2015
Glazed ceramics are used in architecture since at least the 6th century BC, as the magnificent Ishtar Gate, partially reconstructed in the Berlin Pergamon Museum, testifies. Glazed tiles decorated with intricate geometric patterns and Arabic writing were for centuries, and still are, in widespread use in the Islamic countries and for westerners remain one of the most recognizable and constant marks of the beauty of mosques. From their origin in the Middle East and flourishing in the Islamic world, glazed tiles spread to Spain and Portugal, to Italy, the Low Countries and most of Europe. Modern majolica was perfected in Italy during the 15th century and saw an early architectural integration in the works of Luca Della Robbia. A representative work is the vault of the Capilla del Cardinal del Portugallo in the church of San Miniato al Monte (Florence) where the tondi protrude from a covering of patterned glazed tiles, curiously of the same pattern as later used in façade glazed tiles manufactured in Lisbon in the 19th century.
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Lisbonne
Sephardic Book Art of the XVth century
This conference will focus on the cultural and artistic questions posed by Sephardic codices of the 15th century by gathering scholars who have studied or are studying these manuscripts. Moreover, issues related with the materiality of these manuscripts will also be discussed, including codicological and paleographic approaches, as well as the fate of these manuscripts after the forced conversion or expulsion of Sephardic Jews between 1492 and 1498, among other related topics. Invited speakers include Andreina Contessa, Javier del Barco, Katrin Kogman-Appel, Maria Teresa Ortega Monasterio, Sarit Shalev-Eyni, Shalom Sabar, Sonia Fellous.
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Lisbonne
Medieval Manuscripts in Motion 2015
This International Conference aims to follow up the initiative "Medieval Europe in Motion: the circulation of artists, images, patterns and ideas, from the Mediterranean to the Atlantic coast", held in Lisbon in 2013 and organized by the Institute for Medieval Studies of the Nova University Lisbon.With the aim of creating academic, scientific and organizational synergies, this second edition will be organized in collaboration with two other international institutions, the University of Cantabria and the University of León. The main scientific of the event, as it was the previous conference, is to analyse the phenomenon of circulation, motion and mobility of people, forms and ideas during the Middle Ages. This time, however, the kind of works under consideration will be illuminated manuscripts. This three-day Conference aims thus to conduct a critical and constructive revision of research on Iberian Book Illumination in the Middle Ages, proposing new questions to be discussed.
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