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  • Paris

    Call for papers - History

    IT systems and the management of the urban in the long term (late 18th – early 21st centuries)

    Ce colloque se penchera sur l’histoire longue des systèmes d’information impliqués dans la gestion de l’urbain en s’interrogeant sur les caractéristiques, les usages, les acteurs et les conséquences de ces systèmes et des flux de données engendrés. Il est ouvert aux historiens, géographes, sociologues et praticiens travaillant sur ces questions.

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  • Paris

    Call for papers - Urban studies

    Revisit Patrick Geddes

    In the interdisciplinarity of his thought, its international dimensions and the timeliness of his ideas, but also given the misunderstanding of his work in France, Espaces et Sociétés devotes its next folder issue to Patrick Geddes, pioneer of modern urbanism and interdisciplinary methods, precursor of environmentalism.  In effect, the environmental question has not emerged suddenly in urbanism, it goes back to the 19th century and the beginnings of the 20th century with authors such as Geddes.   The choice of Geddes reflects the interdisciplinarity of his thought, its international reach and the novelty of his ideas, but also by the lack of his work in France; it was necessary, in fact, to wait until 1994 for the first translation of his work Cities in Evolution (1915).  Equally this number wishes to address this oversight by understanding and by calling for a critical rereading of his work.

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  • Limoges

    Call for papers - Geography

    Floods as Heritage: the heritage value of floods

    This workshop will explore the possibilities of considering floods as heritage. Floods are usually considered as destructive forces, but here we wish to focus on their creative aspect. There has been considerable work on the heritage value of rivers, but we want to explore the potential of considering floods themselves as heritage. What is the intellectual and practical potential of making this connection? What are the possible dangers involved? How and why does the process of remembering floods differ in different places and among different people? How can the memory of floods be considered a creative process?

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