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  • Kalamazoo

    Call for papers - Middle Ages

    Walruses, Whales and Narwhals

    Maritime Ivories in Western Europe, 900-1500

    In the history of carved ivories, maritime mammals have often been eclipsed by the elephant, considered as a nobler ivory to which walrus or whale ivory would only be a poor man's substitute. But this historiographical view is not without its shortcomings, as not only did walrus hunting play a significant role in the first European explorations toward the west, but the trade for those ivories went as far as the Islamic world and even the Far East. This session at the 52nd International Congress on Medieval Studies, sponsored by the National Museum of Scotland, aims to address the variety of questions posed by the maritime ivories: how the raw material was collected, how it was traded, the workshops that carved them and their specific symbolic value in medieval treasuries

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  • Princeton

    Scholarship, prize and job offer - Sociology

    The Culture and Politics of Resentment

    Fung Global Fellow Program - Princeton University

    Each year, the Fung Global Fellows Program selects six international scholars to be in residence at Princeton for one academic year and to engage in research and discussion around a common theme. During the academic year 2017/18, the program theme will be “The Culture and Politics of Resentment.” Resentment is a powerful emotion for expressing culture and politics. Experiences and memories of humiliation, oppression, and marginalization have stimulated emotions of resentment, and produced compelling demands for political inclusion and justice around the world. Alternatively, rage against what is seen as the “tyranny of the minority,” inequality, the corruption and aloofness of elites, the “foreign,” and the illegitimate have generated powerful populist upsurges against the perceived enemies of a homogeneous body of “the people.”

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  • Baltimore

    Call for papers - Thought

    Utopia in a Post-secular Society: at the Cross-sections of Literature and Philosophy

    48th Annual Convention, Northeast Modern Language Association (NeMLA)

    An element that seems to characterize the 20th century reflection on utopia is its secular nature. Through a re-thinking of the place and roles of religion in society, the post-secular turn we are witnessing in recent theory (Habermas, Taylor, Asad, Mahmood) may provide a critical point of departure for questioning this specific aspect of utopian tradition. In this panel, we invite papers that reflect on the relationship between utopia and religion, as it is worked out in 20th century literature and philosophy: How does the place of the utopian tradition change in the context of the “return of the religion” in a post-secular society?

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  • Kalamazoo

    Call for papers - Representation

    Body and Soul in Medieval Visual Culture

    52nd International Congress on Medieval Studies

    This session seeks papers that explore the range of ways in which medieval artists responded to the anthropological duality of body and soul in the visual arts of the Byzantine and Western medieval worlds.

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  • New York

    Scholarship, prize and job offer - America

    Terra Foundation for American art international publication grant

    The College Art Association (CAA) and Terra Foundation for American Art invite applications for the 2017 Terra Foundation for American art international publication grant. The grant provides financial support for the publication of book-length scholarly manuscripts on the history of American art from circa 1500 to 1980 in the current-day geographic United States.

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  • Cambridge

    Study days - History

    The Circle of Money

    Practices, Politics, and Policy in Premodern Societies (6th-17th Centuries)

    Money is at once elusive and concrete. As a mode of economic exchange it exists within a relatively fixed playing field, with clearly delineated boundaries of benefits and costs. However, poor handling, bad advice, or even a bad turn at a game of chance can swallow money up in one fell swoop. The workshop will investigate this wide array of pre-capitalist, western and non-western contexts from the English Isles, Flanders, France, Germany, Italy, and China between the Middle Ages and Early Modern times.

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  • Mexico City

    Call for papers - History

    The Foreign-language Press: New Forms, Contents and Functions

    Fourth International Transfopress Encounter

    As specific material and cultural artefacts, foreign-language periodicals call for a multifaceted approach in order to unravel the intricate connections between text and context, forms and meanings, language and message, as well as the complex interactions between editors, printers, authors and readers. With this in mind, of particular interest for us in the Fourth International Conference of the Transfopress network if the global circulation of media culture at a time when print communication was becoming a mass phenomenon in the 19th and 20th century.

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  • San Antonio

    Call for papers - Ethnology, anthropology

    Encoding Data for Digital Collaboration (ASOR 2016)

    Data encoding entails an analog-to-digital conversion in which the characteristics of an object, text, or archaeological site can be represented in a specialized format for computer handling. Once encoded, data can be stored, sorted, and analyzed through a variety of computer-based techniques ranging from specialized data-mining algorithms to user-friendly mobile apps. Especially when encoded data is open-source, researchers around the world can collaborate on the collection, encoding, and analysis of data.

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  • Cincinnati

    Call for papers - Modern

    World Cinema and Television in French

    This interdisciplinary conference will examine cinematic and televisual cultural productions that fall under a broad "French-language" umbrella in order to map out significant trends as well as new directions in the study of global French-language cinema and television and its points of contact with other languages and industries. It also aims to explore the opportunities and limitations of adopting labels such as cinéma-monde, transnational, Francophone, and World Cinema, as critical frameworks.

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