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Dresden
Conference, symposium - Middle Ages
The geometry of medieval images
On le sait (le sait-on ?), une image, au Moyen-Âge, n’est pas composée selon les règles de la perspective. C’est à la compréhension d’un autre modèle géométrique, sur lequel s’appuyèrent les images médiévales, et qui disparut au cours du XVIe siècle, que ce colloque sera consacré. Pour quelles raisons ? Les images médiévales ont-elles quelque rapport avec la géométrie ? N’est-ce pas la plus mauvaise manière de parler d’elles, qui s’entêtent à ne pas respecter des règles simples de proportion, qui sont parfois incapables de tracer deux lignes parallèles, et qui souvent n’essaient même pas d’esquisser un paysage un tant soi peu cohérent ? Plutôt que de penser les termes « géométrie » et « espace » d’une manière toujours défaillante par rapport aux images médiévales, nous voudrions les maintenir, quitte à redéfinir ce qu’on appelle, au Moyen Age, une géométrie, un espace ; et une image ?
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Freiburg
Accidents and the role of the State in the 20th century
In the workshop on "Accidents and the role of the state" we want to discuss, from a historical perspective, the changing relationship between accidents and the modern state during the 20th century. Strasbourg)-FRIAS (Freiburg) joint research project on military accidents in France and Germany in the twentieth century. We are therefore especially interested in proposals that deal with the role of the military. However, relevant topics for the workshop could, of course, also come from the realm of the histories of technology, of environment, of medicine, or of the rise of the modern state. We are interested both in presentations of case studies as well as in more conceptual approaches on the topic. Contributions that deal with accidents in German and French history are highly welcome. However, the call is by no means limited to historians of France or Germany.
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Berlin
The conference seeks to examine the shaping of art history as a discipline during the 19th century in relation to artistic training and exchanges between artists and scholars. The development of art history has been associated with an array of socio-political and economic factors such as the formation of a bourgeois public, the politics of national identity and state legitimacy or the needs of an expanding art market. This conference aspires to explore yet another, less studied dimension: the extent to which the historical study of art was also rooted in an intention to inform contemporary artistic production.
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