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• 07 oct 2016

  Berlim

  Jornadas - História

  Un siècle et demi de présence diplomatique : la France en Allemagne depuis 1871

  Cette journée d'étude sera l'occasion de retracer un siècle et demi de présence diplomatique française en Allemagne depuis l'unification du Reich. Les lieux de cette présence – Berlin tout d'abord mais aussi Bonn et Munich –, les acteurs et les évolutions des pratiques diplomatiques seront au cœur de la réflexion. Mettant l'accent sur le quotidien des émissaires français, l'expérience de l'immersion en terre allemande et le travail interculturel qu'induit le travail diplomatique, cette journée s'incrit dans le renouveau contemporain de l'histoire de la diplomatie. Elle se déroulera dans un cadre permettant un dialogue, ouvert au public, entre chercheurs et praticiens de la diplomatie.

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• 07 jui 2016

  08 jui 2016

  09 jui 2016

  Berlim

  Colóquio - Representações

  Art History for Artists: Interactions Between Scholarly Discourse and Artistic Practice in the 19th Century

  The development of art history as a discipline during the 19^th century has been variously associated with the politics of national identity, the needs of a growing bourgeois public in search of cultural capital, or of an expanding art market. However, the role of art training, and art practitioners themselves in the shaping of the discipline remains unexamined. Courses in art history had been systematically introduced in the curricula of art and architecture academies since the late 18^th century, and spaces of art education count among the first institutional homes of the discipline, well before the establishment of autonomous university chairs. This conference aims to explore the interactions and productive tensions between art practice and art scholarship in the 19^th century. 

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• 01 mar 2016

  Berlim

  Chamada de trabalhos - História

  Art history for artists: interactions between scholarly discourse and artistic practice in the 19th century

  The conference seeks to examine the shaping of art history as a discipline during the 19^th century in relation to artistic training and exchanges between artists and scholars. The development of art history has been associated with an array of socio-political and economic factors such as the formation of a bourgeois public, the politics of national identity and state legitimacy or the needs of an expanding art market. This conference aspires to explore yet another, less studied dimension: the extent to which the historical study of art was also rooted in an intention to inform contemporary artistic production.

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• 15 fév 2016

  Berlim

  Chamada de trabalhos - Representações

  All the Beauty of the World. The European Market for non-European Artefacts (18th-20th century)

  In the wake of the Western expansion, a fast growing number of non-European artefacts entered the European market. They initially made their way into princely cabinets of curiosities. Enabled by the forced opening and exploitation of more and more parts of the world and pushed by social and technological changes of the time, the 18^th century brought a boom of the market of non-European artefacts in Europe. This came along with the emergence of a broader collecting culture and the development of a rich museumscape. This market and its development in terms of methods and places of exchange and monetary and ideological value of the objects are in the focus of an international symposium that will take place in October 2016 in Berlin.

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