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• 15 sep 2016

  Kalamazoo

  Call for papers - Middle Ages

  Walruses, Whales and Narwhals

  Maritime Ivories in Western Europe, 900-1500

  In the history of carved ivories, maritime mammals have often been eclipsed by the elephant, considered as a nobler ivory to which walrus or whale ivory would only be a poor man's substitute. But this historiographical view is not without its shortcomings, as not only did walrus hunting play a significant role in the first European explorations toward the west, but the trade for those ivories went as far as the Islamic world and even the Far East. This session at the 52^nd International Congress on Medieval Studies, sponsored by the National Museum of Scotland, aims to address the variety of questions posed by the maritime ivories: how the raw material was collected, how it was traded, the workshops that carved them and their specific symbolic value in medieval treasuries

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• 29 avr 2016

  30 avr 2016

  Cambridge

  Study days - History

  The Circle of Money

  Practices, Politics, and Policy in Premodern Societies (6th-17th Centuries)

  Money is at once elusive and concrete. As a mode of economic exchange it exists within a relatively fixed playing field, with clearly delineated boundaries of benefits and costs. However, poor handling, bad advice, or even a bad turn at a game of chance can swallow money up in one fell swoop. The workshop will investigate this wide array of pre-capitalist, western and non-western contexts from the English Isles, Flanders, France, Germany, Italy, and China between the Middle Ages and Early Modern times.

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• 01 mar 2016

  Cincinnati

  Call for papers - Modern

  World Cinema and Television in French

  This interdisciplinary conference will examine cinematic and televisual cultural productions that fall under a broad "French-language" umbrella in order to map out significant trends as well as new directions in the study of global French-language cinema and television and its points of contact with other languages and industries. It also aims to explore the opportunities and limitations of adopting labels such as cinéma-monde, transnational, Francophone, and World Cinema, as critical frameworks.

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