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• 31 oct 2016

  Rome

  Call for papers - History

  Meanings of rituals

  Incense and religion in ancient societies

  Although several studies have drawn attention to the role of incense as an ingredient in ritual and a means of communication between men and gods, there remains no comprehensive examination of the practical functions and cultural semantics of incense in the ancient world, whether as a purifying agent, a performative sign of a transcendent world, an olfactory signal to summon the deity, a placatory libation, or food for the gods. Moreover, recent archaeological research has provided evidence (alongside literary, epigraphic and iconographic evidence) that the physical origins and chemical constituents of incense are complex and diverse, as are their properties : resins, vegetable gums, spices, and a welter of aromatic products that could be exhibited and burned before ancient eyes and noses. These were components of a multi-sensory religious experience in which music, colourful costumes, lavish banquets and tactile encounters defined the ritualsensibilities of the community.

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• 15 sep 2016

  Kalamazoo

  Call for papers - Representation

  Body and Soul in Medieval Visual Culture

  52nd International Congress on Medieval Studies

  This session seeks papers that explore the range of ways in which medieval artists responded to the anthropological duality of body and soul in the visual arts of the Byzantine and Western medieval worlds.

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• 25 jui 2016

  Paris

  Study days - History

  Meta-figurative thought - Setting images in Antiquity and the Middle Ages

  La question de la « pensée méta-figurative » explore la capacité réflexive des objets visuels : elle se fonde d’abord sur le repérage de la multiplicité des procédés d’enchâssements à l’œuvre dans les images, puis sur leur interprétation dans ce qu’ils révèlent à la fois du processus de création chez l’artiste, du pouvoir et de l’efficacité qu’ils activent dans les œuvres elles-mêmes, suivant une démarche soucieuse de rendre compte tout à la fois des enjeux esthétiques, historiques et anthropologiques dont elles sont porteuses.

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