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• 01 déc 2016

  Beca, premio y empleo - Américas

  Charles C. Eldredge prize 2017

  The Smithsonian American Art Museum is now accepting nominations for the 2017 Charles C. Eldredge Prize. Single-author books devoted to any aspect of the visual arts of the United States and published in the three previous calendar years are eligible. To nominate a book, send a letter (not to exceed one page in length) explaining the work’s significance to the field of American art history and discussing the quality of the author’s scholarship and methodology. Nominations by authors or publishers for their own books will not be considered.

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• 15 aoû 2016

  San Petersburgo

  Convocatoria de ponencias - Historia

  Third annual international conference dedicated to the 170th anniversary of the birth of Carl Fabergé

  The Fabergé Museum in Saint Petersburg owns the world's largest collection of works by Carl Fabergé, including nine of the famous imperial easter eggs, and aims to become the main international platform for the study of the art and life of the famous jeweler. In this year marking the 170^th anniversary of Carl Fabergé, the museum dedicated its annual academic conference to Carl Fabergé, his firm's activities in Russia and abroad, its place within Russian culture as well as to Fabergé's influence on modern and contemporary jeweler’s art. 

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• 15 sep 2016

  Nueva York

  Beca, premio y empleo - Américas

  Terra Foundation for American art international publication grant

  The College Art Association (CAA) and Terra Foundation for American Art invite applications for the 2017 Terra Foundation for American art international publication grant. The grant provides financial support for the publication of book-length scholarly manuscripts on the history of American art from circa 1500 to 1980 in the current-day geographic United States.

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• 19 mai 2016

  20 mai 2016

  Coloquio - Historia

  Rethinking pictures

  A transatlantic dialogue

  On the occasion of the launch of Picturing, the first volume of the Terra Foundation Essays, a new publication series exploring themes of critical importance to the history of arts and visual culture of the United States, the Deutsches Forum für Kunstgeschichte, Paris, and the Terra Foundation for American Art are jointly organizing a conference to further the transatlantic dialogue about what pictures are and what they do. This conference invites speakers to reflect on the differences and convergences between the intellectual traditions of visual studies and Bildwissenschaft. Are there ways to think about pictures anew by bringing these models more closely together?  Does the move away from visuality towards the material offer possibilities for overcoming early differences between these two approaches?

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• 19 mar 2016

  Safí

  Convocatoria de ponencias - Representaciones

  Le cinéma et la musique

  Cet événement académique va essayer de questionner le rapport intime existant entre le cinéma et la musique. Cette alchimie qui unit ces deux arts nous semble mériter réflexion. Un film met en scène une histoire, un énoncé, une forme, représentant d’une façon ou d’une autre le monde, avec un souci de fidélité ou de prise de distance. La musique, elle, crée un objet complémentaire, un sens second greffé sur le premier, qui vient l’enrichir peut-être ou l’embellir en le « couvrant » de texture sous forme de notes...

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• 15 jan 2016

  Beca, premio y empleo - Américas

  Terra Summer Residency for art historians and artists

  Founded in 2001, the Terra Summer Residency brings together doctoral scholars of American Art and emerging artists worldwide for a nine-week residential program in the historic village of Giverny, France. The program encourages independent work while providing seminars and mentoring by senior scholars and artists to foster reflection and debate.

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• 27 nov 2015

  19 fév 2016

  27 mai 2016

  París

  Ciclo de conferencias - Representaciones

  Étrangeté technologique

  Omniprésence des images, autonomisation de la perception, faillite ou reconstruction de la mémoire, explosion du virtuel : avec le numérique notre monde se repeuple de clones et de fantômes. On sait combien chaque introduction d’une technologique nouvelle produit ses fictions et ses fantasmes (voir depuis le milieu du XIX^e siècle les cas du téléphone, du télégraphe, de la radio puis le développement des communications mais il s’agirait ici d’interroger les manières dont les technologies contemporaines, les inventions d’artistes, les concepts critiques reformulent la question de l’étrangeté technologique.

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• 12 fév 2016

  Nantes

  Convocatoria de ponencias - Representaciones

  Censorship: Creative contemporary constraints and dynamics in the representation of the British and American nations

  This 2016 workshop on contemporary US-UK photography will take on the notion of censorship. With photography as its starting point, this edition aims to extend the debate to include the contemporary image on the whole. It is interested in the intermedial forays of other artistic forms in the practice of photographers (art installations, video and/or audio productions, performance, urban art practices, text/image interactions). How does the very artistic form/medium become in itself a means of expression and commitment when confronted with censorship, a means to create unity against censorship, a tool for identity expression of a group or of a minority, to circumvent constraints, or thrive upon these limits and generate creative impetus from them?

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