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• 06 nov 2017

  Rome

  Study days - Representation

  Censimento e schedatura dei carteggi artistici

  Cantieri aperti e problemi interpretativi

  Secondo seminario di ricerca del programma «Lettresarts. Lettres d’artistes. Pour une nouvelle histoire transnationale de l’art (XVIII^e­‐XIX^e siècles), organizzato dalla École française de Rome con il supporto della Bibliotheca Hertziana - Istituto Max Planck per la storia dell'arte. A un anno dall’inizio del programma di ricerca Lettres d’artiste, questo seminario si propone di fare il punto sulle ricerche in corso nel quadro del programma, analizzando i primi risultati e affrontando le questioni metodologiche ancora aperte circa il censimento, la schedatura, il trattamento informatico e l’analisi degli epistolari artistici tra Sette e Ottocento.

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• 15 oct 2017

  London

  Call for papers - History

  New approches to Ruskin on Art and Architecture

  In advance of his bicentenary in 2019 this conference will provide the opportunity togather together, present and exchange new approaches by emerging scholars to the work of the nineteenth-century art critic, art writer, art historian, artist and social commentator John Ruskin, with particular emphasis on his work on art and architecture as understood to constitute the kernel of Ruskin’s engagement with human society and experience.

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• 29 mai 2017

  New Orleans

  Call for papers - History

  Revolution française? Celebrating the anniversaries of Damisch’s The Origin of Perspective and Marin’s To Destroy Painting

  Session at the 64th Renaissance Society of America (RSA) Conference

  As the Renaissance Society of America is heading to La Nouvelle Orléans, this panel aims to take stockof two groundbreaking French art history texts currently celebrating,respectively, their 40th and 30th anniversary. Louis Marin’s To DestroyPainting and The Origin of Perspective by Hubert Damisch were bothtranslated into English and other languages, and had considerableimpact on art historical discussions around their topics. For this panel, we seek papers discussing one of these seminal books – or indeed both together – and the legacy of Damisch’s and Marin’s contributions to the discipline.

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• 03 avr 2017

  04 avr 2017

  Paris

  Conference, symposium - Representation

  Toward a Geography of Architectural Criticism: Disciplinary Boundaries and Shared Territories

  Mapping Architectural Criticism Third International Symposium

  This international symposium is part of the ANR research project Mapping Architectural Criticism, which aims to develop a field of research on the history of architectural criticism, from the last decades of the 19_^th century to the present day. The symposium intends to debate two key questions related to the geographies of criticism: what are criticism’s disciplinary boundaries and which territories has criticism shared from the last decades of the 19_^th to the end of the 20_^th century with other disciplines.

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• 24 nov 2017

  Nantes

  Call for papers - Representation

  Self-portraits in costume: multiple identities at play

  The self-portrait in disguise may verge on parody or satire and entail carnivalesque reversals; it may also challenge the notion of physical integrity, singularity and authenticity especially when produced in series. By changing his/her sexual, ethnic, social identity, the artist may convey a strong message and situate his/her practice within society. We invite  to consider the complexity of the self-portrait in costume particularly in the contemporary period. Indeed, both postmodern reflexivity and self-referentiality, and the extended possibilities offered by image manipulation have revived this genre, with the success of selfies or avatars for instance raising new questions. 

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• 16 fév 2017

  Huddersfield

  Call for papers - Political studies

  Finding Democracy in Music

  For a century and more musicians have sought to relate their practices to the values of democracy. But political theory teaches that democracy is a highly contested category. This symposium aims to interrogate claims for the “democratic” nature of music.

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• 15 fév 2017

  Nice

  Call for papers - Modern

  Framing Street Art

  Cross-disciplinary International Conference by Nice Street Art Project

  Art is everywhere. You just have to open your eyes and/or decide that something is art. This is what Ernest Pignon-Ernest showed when he glued frames on the walls of Nice, France, from 2004 to 2013. Known for the celebration of the chosen place as a place of poetry and history, the artist used the frame as a sign to reveal the artistic potential of the walls, ie a tool of “artification”. The frame refers to the museum piece, which it encircles, protects and highlights. By definition, street artworks don’t have a physical frame, if by Street Art we mean a self-authorized art situated in the public place or in abandoned places, or any form of site-specific art. Nevertheless, the frame is an essential and problematic question in many regards.

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