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• 15 oct 2017

  London

  Call for papers - History

  New approches to Ruskin on Art and Architecture

  In advance of his bicentenary in 2019 this conference will provide the opportunity togather together, present and exchange new approaches by emerging scholars to the work of the nineteenth-century art critic, art writer, art historian, artist and social commentator John Ruskin, with particular emphasis on his work on art and architecture as understood to constitute the kernel of Ruskin’s engagement with human society and experience.

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• 22 sep 2017

  23 sep 2017

  Oxford

  Conference, symposium - Europe

  Knowledge in Context

  Colloque en l'honneur de Laurence Brockliss et Colin Jones

  In 1997, Laurence Brockliss (Magdalen College, Oxford) and Colin Jones (QMUL) published The Medical World of Early Modern France, a landmark in the history of medicine because of its integration of social and institutional history with intellectual history.  It established a vibrant new approach to the history of medicine and knowledge of the early modern period while also encouraging Anglo-French intellectual exchange.  As 2017 is the twentieth anniversary of this work’s publication and the year of Laurence Brockliss’s retirement, colleagues and former pupils have organized a colloquium in their honour.  Scholars from a range of historical disciplines (classical scholarship/antiquarianism, philosophy, and the natural sciences) will discuss the ways in which knowledge is contextualized in early modern Europe and Britain.

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• 08 sep 2017

  Bath

  Summer School - Asia

  Pursuing a career in Chinese art in the United Kingdom

  This afternoon event in Bath (United Kingdom) is aimed at postgraduate students and early career academics interested in Chinese art, whether as a career or as a source for their research. The afternoon will start with a visit to the Museum of East Asian Art Bath. Then three leading professionals in Chinese art in the United Kingdom will give a talk and questions/answers. A workshop will then invite participants to reflect on and prepare for a career related to the arts of China.

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• 12 jui 2017

  13 jui 2017

  Bristol

  Conference, symposium - Africa

  Paper, airwaves, screen: from text to audience in African popular culture

  This conference aims to reflect on the critical spaces of reading and listening that occur in and around popular cultural texts in Africa – from songs, magazines, romance fiction, and hip-hop lyrics, to blogs, facebook posts, and urban inscriptions. Drawing on the methods of cultural studies, material print cultures, and the sociology of reception, we seek to engage with the critical vocabulary generated by those spaces of reception at a time of transition for the book object and the reading practices which accompany it. How can this material be researched (archives, interviews, ethnographic observation, digitisation, databases)? How is/might it be integrated into teaching across disciplines? 

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• 24 avr 2017

  London

  Call for papers - America

  Radical Americas 2017: Legacies

  The fifth Radical Americas conference will take place at UCL Institute of the Americas, London on 11th and 12th September 2017. The conference falls in a year of many anniversaries, offering an opportunity to examine the legacies of various radical movements, events, writers, artists and activists. Yet the careful examination of the past should not distract us from the urgent tasks of the present, and we will consider the challenges for radicals in the Americas in the current conjuncture.

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• 15 fév 2017

  Bristol

  Call for papers - Language

  Paper, waves and screens - from text to public in African popular culture

  Les textes propres à une culture populaire africaine forment un abondant corpus composé de matériaux textuels, sonores, et visuels : depuis les chansons, les magazines, la littérature sentimentale, les paroles de hip-hop, jusqu’aux blogs et messages sur Facebook, en passant par les inscriptions urbaines ou les tro-tros à Accra. La culture populaire englobe aussi les nombreuses manières par lesquelles ces objets culturels sont reçus et interprétés, à une échelle locale, nationale, et/ou internationale . Ce domaine de recherche mobilise des méthodes propres aux études culturelles, à l’histoire matérielle de l’imprimé, ainsi qu’à la sociologie de la réception . Le matériau en question reste cependant relativement peu étudié et enseigné, du fait de difficultés d’accès et de débats méthodologiques persistants.

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