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  • Funchal

    Call for papers - Urban studies

    Voyage and Cosmopolitanism: From the Island to the World

    We intend to problematize various issues in the current scholarship of the humanities and social sciences from inter- and cross-cultural perspectives: cultural heritage, culture and globalization, identity and the sense of belonging, the impact of (re)writing literatures and other arts within the ethics of "reliance", proposed by Edgar Morin, and of the universalizing singularities, in Alain Badiou's view.

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  • Lisbon

    Call for papers - History

    História da Cultura em Portugal no século XX

    Industrialização, massificação, mediações

    O Instituto de História Contemporânea (NOVA FCSH), organiza, em Fevereiro de 2019, um Congresso sobre História da Cultura em Portugal no Século XX, aberto à apresentação de comunicações nos temas representados pelos painéis e tópicos sugeridos na proposta de programa, visando recensear recentes pesquisas e estimular a abertura do campo a novas áreas de investigação.

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  • Avanca

    Call for papers - Information

    Avanca | Cinema 2018

    International Cinema Conference – Art, Technology and Communication

    In 2018, we will be holding the 9th edition of a conference that is becoming a benchmark in the field of film research.The Avanca | Cinema is a meeting point for researchers who intend to disseminate and share their academic research. Having been the first scientific conference to take place within the framework of a film festival, the Avanca | Cinema and the 22nd Avanca 2018 Festival offer a unique atmosphere and a diverse program that includes cinema sessions, workshops, book presentations, round tables, plenary sessions and side events (from gastronomy to concerts).These are 5 days of cinema and truly festive moments ... in the eyes that meet in Avanca, Portugal, in midsummer.

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  • Braga

    Call for papers - Representation

    Dogs in the imagination. Literature, cinema and graphic novels

    Depuis l’aube de la création esthétique, dont la scène primitive a lieu dans les cavernes préhistoriques, l’imaginaire humain a incorporé la condition animale, sous ses différentes modalités et ses multiples points de vue. Au long des siècles, il révèle la présence constante et proéminente de la figure du chien, dont les liens affectifs avec l’humain sont attestés par les découvertes archéologiques préhistoriques, depuis le jour où les premiers loups ou chacals se sont approchés des hommes chasseurs-collecteurs. Il est parfaitement possible de suivre, au long des siècles, l’évolution de la pensée humaine et des mentalités, par l’observation des modalités de figuration du chien non seulement dans les mythes, les légendes, les fables, les églogues, les lais, les contes, les romans, la bande dessinée, les dessins animés, le cinéma, mais aussi dans tout type de discours (philosophique, théologique, scientifique, etc).

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