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  • Porto

    Call for papers - Europe

    A transmedial process

    Conference metalepsis

    Metalepsis has been increasingly present in several artistic fields, by enhancing a self-reflexive porosity between narrative levels and by provoking a very special kind of ontological sliding. When Gérard Genette (1972) transferred this figure from the field of rhetoric to that of narratology, in order to describe the subversion of boundaries between narrative levels, or the non-distinction between the diegetic and extradiegetic worlds, he associated the disquieting nature of the metalepsis with the following “unacceptable and insistent” hypothesis: we, as recipients of a work structured by this narratological figure, may find ourselves in the (Borgesian) odd circumstance of noticing that the extradiagetic could already be the diegetic.

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  • Porto

    Call for papers - Sociology

    Work and cooperation

    Laboreal Dossier

    If human beings are the result of a historical process and not the product of a pre-established plan, it is important to emphasize the significance of cooperative actions for their preservation throughout this process. A path in which work – as a constitutive element of our species – plays a decisive role in these actions. How has cooperation been taking place in formal and informal work activities? How have the current modes of management and their evaluation and training systems contributed to the construction or weakening of cooperative acts at work? What are the requirements to build cooperation?

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  • Funchal

    Call for papers - Urban studies

    Voyage and Cosmopolitanism: From the Island to the World

    We intend to problematize various issues in the current scholarship of the humanities and social sciences from inter- and cross-cultural perspectives: cultural heritage, culture and globalization, identity and the sense of belonging, the impact of (re)writing literatures and other arts within the ethics of "reliance", proposed by Edgar Morin, and of the universalizing singularities, in Alain Badiou's view.

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  • Avanca

    Call for papers - Information

    Avanca | Cinema 2018

    International Cinema Conference – Art, Technology and Communication

    In 2018, we will be holding the 9th edition of a conference that is becoming a benchmark in the field of film research.The Avanca | Cinema is a meeting point for researchers who intend to disseminate and share their academic research. Having been the first scientific conference to take place within the framework of a film festival, the Avanca | Cinema and the 22nd Avanca 2018 Festival offer a unique atmosphere and a diverse program that includes cinema sessions, workshops, book presentations, round tables, plenary sessions and side events (from gastronomy to concerts).These are 5 days of cinema and truly festive moments ... in the eyes that meet in Avanca, Portugal, in midsummer.

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  • Braga

    Call for papers - Representation

    Dogs in the imagination. Literature, cinema and graphic novels

    Depuis l’aube de la création esthétique, dont la scène primitive a lieu dans les cavernes préhistoriques, l’imaginaire humain a incorporé la condition animale, sous ses différentes modalités et ses multiples points de vue. Au long des siècles, il révèle la présence constante et proéminente de la figure du chien, dont les liens affectifs avec l’humain sont attestés par les découvertes archéologiques préhistoriques, depuis le jour où les premiers loups ou chacals se sont approchés des hommes chasseurs-collecteurs. Il est parfaitement possible de suivre, au long des siècles, l’évolution de la pensée humaine et des mentalités, par l’observation des modalités de figuration du chien non seulement dans les mythes, les légendes, les fables, les églogues, les lais, les contes, les romans, la bande dessinée, les dessins animés, le cinéma, mais aussi dans tout type de discours (philosophique, théologique, scientifique, etc).

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