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Conference metalepsis
Metalepsis has been increasingly present in several artistic fields, by enhancing a self-reflexive porosity between narrative levels and by provoking a very special kind of ontological sliding. When Gérard Genette (1972) transferred this figure from the field of rhetoric to that of narratology, in order to describe the subversion of boundaries between narrative levels, or the non-distinction between the diegetic and extradiegetic worlds, he associated the disquieting nature of the metalepsis with the following “unacceptable and insistent” hypothesis: we, as recipients of a work structured by this narratological figure, may find ourselves in the (Borgesian) odd circumstance of noticing that the extradiagetic could already be the diegetic.
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Laboreal Dossier
If human beings are the result of a historical process and not the product of a pre-established plan, it is important to emphasize the significance of cooperative actions for their preservation throughout this process. A path in which work – as a constitutive element of our species – plays a decisive role in these actions. How has cooperation been taking place in formal and informal work activities? How have the current modes of management and their evaluation and training systems contributed to the construction or weakening of cooperative acts at work? What are the requirements to build cooperation?
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