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• 20 sep 2018

  Bucharest

  Call for papers - History

  Between the Imperial Eye and the Local Gaze

  Cartographies of Southeast Europe

  The Association international d’études du sud-est européen is happy to invite you to the 12^th Congress of South-East European Studies, taking place in Bucharest, from the 2^nd to the 7^th of September 2019. One of the conference panels, organized by Robert Born (Leipzig) and Marian Coman (Bucharest), is dedicated to the cartographic history of south-eastern Europe. Proposals for individual papers are welcome on various aspects of the history of south-eastern Europe cartography, from the Ottoman period to the post-communist era. Topics of interest include, but are not limited to, the following: Renaissance and Early Modern maps of the Ottoman Empire, Enlightenment cartographies of Eastern Europe, the birth of national cartography, war and peace cartographies, historical and propaganda maps, national and local surveys, Cold War cartographies.

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• 04 oct 2018

  Call for papers - History

  Criticisms of democracy, authoritarianism and populism in Europe

  Continuities and disruptions from the inter-war period until today

  Facing the feeling of »crisis« of democracy arising in recent years and symbolized by the rise of populist movements, there is a recurrent comparison with the inter-war situation in today’s political debate in many European countries. Is this comparison relevant to understand the specific democratic practices during both periods? Building on this question, the workshop serves as kick-off for the research program Which democracy/democracies? Reflections on the crisis, modernization and limits of democracy in Germany, France, England and Central Europe between 1919 and 1939 supported by the Centre interdisciplinaire d’études et de recherches sur l’Allemagne (CIERA).

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• 30 mai 2018

  31 mai 2018

  01 jui 2018

  Paris

  Conference, symposium - Representation

  Female artists in the classical age - illustration, painting, sculpture and engraving

  Comment ces artistes sont-elles désignées, et de quelle manière préfèrent-elles se nommer ? Le siècle hésite à se saisir d’expressions pour les qualifier. Quelles sont les conditions de travail et de vie de ces artistes ? De quelles façons apprennent-elles leur art, où peuvent-elles l’exercer et l’exposer, avec qui à leurs côtés ? Quelle est la réception de leur art dans les Salons et les journaux de l’époque, en France et en Europe ? En quelle réputation – nationale et internationale, bonne ou mauvaise – sont-elles ?

   

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