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Ghent
Conference, symposium - Modern
Male Bonds in Nineteenth-Century Art
The conference will probe, challenge and expand upon the academic narrative of male homosociality through the lens of art history. It aims to establish an overview of a variety of male bonds that underpinned nineteenth-century art, and to consider the theoretical and methodological implications of the study thereof. In so doing, it seeks to build a bridge between traditional art-historical scholarship and the fields of gender and gay and lesbian studies: an interdisciplinary exchange of which the full potential for scholarship on the nineteenth century remains to be exploited.
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