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Londres
Stages of Utopia and Dissent, 50 years on...
15 May 1968: the Odeon theatre in Paris is occupied by students and becomes the insurgent headquarters where every night militants recount the days' action in occupied factories to an audience of people camping in the auditorium. Youth rebellion was never as mythologised as that of the French students’ fight against institutional oppression. The effects were felt across the Channel, too – but the nature of those effects was, and remains, disputed. 50 years on… where are we? What remains of autogestion and emancipatory education? What remains of theatre inventiveness and sedition? What remains of a need for participatory audiences? What remains of utopia and dissent?
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Louvain-la-Neuve
Les fabriques alternatives d'archives
Quels témoignages, quelles images, quels objets diront demain le monde d’aujourd’hui ? Un peu partout, des archivistes et des chercheurs en sciences humaines et sociales ouvrent le chantier, vivant et créatif, de la fabrique alternative d’archives. Quinze d’entre eux exposeront leurs projets et leurs pratiques en Belgique, en France, en Suisse et au Québec, mais aussi à Sarajevo, en Algérie, au Rwanda, autour de la mémoire des territoires et des populations, des arts vivants, de l’archive des émotions, des souffrances, du vécu tout simplement. Au plus proche des préoccupations de tous les participants, nous partagerons nos méthodes et le sens que nous engageons dans la construction d’archives.
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East London
Appel à contribution - Représentations
50 years on…
15th May 1968: the Odeon theatre in Paris is occupied by students and becomes the insurgent headquarters where every night militants recount the days' action in occupied factories to an audience of people camping in the auditorium. Youth rebellion was never as mythologised as that of the French students’ fight against institutional oppression. The effects were felt across the Channel, too – but the nature of those effects was, and remains, disputed. 50 years on… where are we? What remains of autogestion and emancipatory education? What remains of theatre inventiveness and sedition? What remains of a need for participatory audiences? What remains of utopia and dissent?
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