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Lyon
Conference, symposium - Sociology
"Biology" as a justification of discourses and practices
La notion de biologisation du social renvoie à une forme croissante de justifications individuelles ou collectives des pratiques sociales : il s’agit de faire référence à une biologie réelle ou fantasmée pour légitimer les manières de dire, de penser et d’agir. Cette biologisation traduit une forme d’importation du vocabulaire et des résultats des sciences biologiques dans les discours et les pratiques, scientifiques comme ordinaires .
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Amiens
The family, a subject for investigation
Family, as guarantor of moral values and social control, has long been seen as a pillar of society. Marginal behaviours (such as children born out of wedlock or single mothers) and/or any changes to what was perceived as the norm were often seen as threats. Policy makers and public authorities thus started to order and organize inquiries through surveys to apprehend and understand these behaviours. The aim was to be able to set up adequate policies to fight against what was perceived as possible attacks on family as an institution.
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Rouen
Botany and its teaching subjects - past and present, at school and university
D'hier à aujourd'hui, de l'école à l'université
Dans le cadre de l’exposition « Belles plantes, modèles en papier mâché du Dr Auzoux » organisée par le Munaé du 25 mai 2018 au 25 février 2019, deux journées d’études consacrées à « La botanique et ses objets d’enseignement, d’hier à aujourd’hui, de l’école à l’université » sont organisées les 6 et 7 février 2019 au Centre de ressources du Musée national de l’Éducation à Rouen et au Musée de l’écorché d’anatomie de Neubourg.
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Rennes
Commitment, Challenges and Crises of International Art Criticism since 1945
The international conference Reframing the (Art) World/Redéfinir le monde (de l’art) aims at concluding an intense three-year research carried out within the frame of the research programme PRISME, hosted at the Archives de la critique d’art (Archives of Art Criticism in Rennes). By following a multidisciplinary approach, the aim of this conference is to reframe a still little-known chapter of cultural history, in order to reconsider art criticism as a historical and epistemological prism in regard to international issues since the second half of the XXth century.
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