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• 20 déc 2019

  Mestre

  Chamada de trabalhos - Idade Média

  History is a common good

  4th National Conference of the Italian Association of Public History

  In line with the Italian Public History Manifesto, approved after our association’s meeting in Pisa in June 2018, AIPH intends to contribute to the affirmation of a greater awareness of the value of historical knowledge, an essential resource for understanding the present, planning of the future and exercising full citizenship. The 4th AIPH National Conference of Venice-Mestre will create new opportunities for discussion and reflection between those who work with the past. The conference will examine ways in which history is present in society today, from universities to public places, in schools and learning institutions, in high and in popular culture and, finally, in the daily life of our communities.

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• 07 jui 2019

  Palermo

  Chamada de trabalhos - Representações

  In/visible: representation, discourse, practices, “dispositifs”

  Interdisciplinary Graduate Conference

  How is the materiality of the visible world inscribed in its cultural representations? What are the more or less visible actors and mechanisms in the genesis of a cultural artefact? Should the visible / invisible binomial be considered as an anthropological constant or as the effect of a certain epistemological constellation? To what extent does visibility coincide with power and, therefore, how should one represent the in/visible? These are just some of the questions that cultural studies, in their innate interdisciplinarity and methodological heterogeneity can formulate with respect to the issue.

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• 25 jan 2019

  Chamada de trabalhos - História

  Leonardo and Antiquity

  Conference at Hadrian's Villa

  To mark the five hundredth anniversary of Leonardo da Vinci’s death, the “Istituto Autonomo Villa Adriana e Villa d’Este - Villae” (Tivoli, Rome) is organizing a conference with the theme of: “Leonardo and Antiquity”, at Hadrian’s Villa. At the dawn of the 16th century, Leonardo da Vinci visited Villa Adriana, then known as “old Tivoli”. The conference in preparation intends to explore ways in which this journey influenced Leonardo's genius, also in the context of the time period and work of Leonardo's contemporaries and/or disciples. In the company of internationally recognized keynote speakers, the conference welcomes the participation of both Italian and foreign researchers and scholars who answer this call for papers, as a major focus of the conference will be to place Leonardo's trip to Tivoli within a broader cultural context. The deadline for the paper proposals is fixed at January 25th, 2019.

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• 31 jan 2019

  Nápoles

  Chamada de trabalhos - Europa

  International migrations and labour from the 70s to the present

  Since the 70s the presence of migrants in Europe, and especially in Italy, has become a structural issue and has been at the center of the public and political debate. The progressive demolition of welfare systems, the job precariousness, and new consumer lifestyles have generated different responses in terms of regulation of the admissions of foreign citizens in search of a job and their management (housing issues, access to health care, etc.). Both with regard to organization of forms of protection of immigrants in the exercise of theirs fundamental rights, especially in cases of serious discrimination and exploitation (immigrant associations, trade union action, etc.).

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• 01 fév 2019

  Zurique

  Chamada de trabalhos - Linguagem

  Théories et méthodes pour l’Histoire de la traduction

  Dans les premières lignes de son ouvrage, L’épreuve de l’étranger (1984), Antoine Berman affirmait que « la constitution d’une histoire de la traduction est la première tâche d’une théorie moderne de la traduction » (Berman 1984 : 12). Cette réflexion, à trente ans de distance, ne peut qu’apparaître prophétique : l’étude des traductions trace aujourd’hui des nouveaux chemins, en ce qu’elle se pense et se repense à la lumière des autres disciplines et plus particulièrement en ce qu’elle aspire à faire partie de l’histoire littéraire.

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