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  • Mestre

    Call for papers - Middle Ages

    History is a common good

    4th National Conference of the Italian Association of Public History

    In line with the Italian Public History Manifesto, approved after our association’s meeting in Pisa in June 2018, AIPH intends to contribute to the affirmation of a greater awareness of the value of historical knowledge, an essential resource for understanding the present, planning of the future and exercising full citizenship. The 4th AIPH National Conference of Venice-Mestre will create new opportunities for discussion and reflection between those who work with the past. The conference will examine ways in which history is present in society today, from universities to public places, in schools and learning institutions, in high and in popular culture and, finally, in the daily life of our communities.

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  • Nantes

    Call for papers - Representation

    In the shadow of the masters: "secondary" artists in peinture, sculpture and architecture (12th-19th century)

    The essential locus of the workshop has to be enquired into. How is a workshop organized? Which role is given to each of its members? From preparing colours to realising some parts of the painting, from building a mould to pouring liquid bronze into this casting mould, or from drawing a project to managing a work site, which evolution and which autonomy can students benefit from regarding their masters? Vasari has revealed a progressive vision of Art History, which still prevails in the discipline: students are inevitably ending up overstepping their master (Michelangelo and Ghirlandaio) or outshining their father (Gian Lorenzo Bernini and Pietro Bernini in the 17th century). But what about those who were not taken on and those who remained unskilled workers in their lifetime? Was their role really secondary? The ways and means of these artists’ dependence and emancipation regarding their masters, their model, or their technique has to be addressed.

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  • Call for papers - Early modern

    Truth and falsehood during the Renaissance

    Thanks to the coming of an information society and the rise of new media capable of spreading knowledge, our time is often described as a “post-truth” era. Could have any similar ambiguity been present in early modern Europe? Following the political and religious turmoil which marked the Renaissance period, together with the renewal of theorical and technical knowledges, a whole new range of relations between truth and falsehood was established, thus producing a crisis of the current “regimes of truth” which this PhD conference aims to investigate. This two-day long PhD conference aims to encourage new, reflections, debates and to raise new questions about the ever-complex relation of Truth / Falsehood in the Renaissance period, while focusing on their epistemological context.

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  • Rome

    Call for papers - History

    Rebuilding / Restoring Rome

    The Renewal of Buildings and Spaces as Urban Policy, from Antiquity to the Present

    Everywhere in Rome, monuments are covered with ancient or modern inscriptions that not only contain the name of the original builder but also commemorate their restoration. Popes from the Quattrocento and Cinquecento who acted as urban planners, such as Sixtus IV, presented themselves as ‘restorers’, even when they were actually modernising the City. This phenomenon is not restricted to the Renaissance period: many Roman emperors already claimed to be rebuilders, such as Augustus who repaired all the damaged temples of Rome according to the Res Gestae, or Septimius Severus who was called Restitutor Vrbis on his coinage. Rome thus seems to be a city that constantly needs to be restored, rebuilt, born again. This conference aims to investigate how the notions of restoration and rebuilding were a driving force of Rome’s urban transformation throughout its history, from Antiquity to the 21st century, as well as a political program put forward by the authorities and an ideal more or less shared by the different key actors of the city.

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