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• 07 jui 2019

  Palermo

  Call for papers - Representation

  In/visible: representation, discourse, practices, “dispositifs”

  Interdisciplinary Graduate Conference

  How is the materiality of the visible world inscribed in its cultural representations? What are the more or less visible actors and mechanisms in the genesis of a cultural artefact? Should the visible / invisible binomial be considered as an anthropological constant or as the effect of a certain epistemological constellation? To what extent does visibility coincide with power and, therefore, how should one represent the in/visible? These are just some of the questions that cultural studies, in their innate interdisciplinarity and methodological heterogeneity can formulate with respect to the issue.

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• 25 jan 2019

  Call for papers - History

  Leonardo and Antiquity

  Conference at Hadrian's Villa

  To mark the five hundredth anniversary of Leonardo da Vinci’s death, the “Istituto Autonomo Villa Adriana e Villa d’Este - Villae” (Tivoli, Rome) is organizing a conference with the theme of: “Leonardo and Antiquity”, at Hadrian’s Villa. At the dawn of the 16th century, Leonardo da Vinci visited Villa Adriana, then known as “old Tivoli”. The conference in preparation intends to explore ways in which this journey influenced Leonardo's genius, also in the context of the time period and work of Leonardo's contemporaries and/or disciples. In the company of internationally recognized keynote speakers, the conference welcomes the participation of both Italian and foreign researchers and scholars who answer this call for papers, as a major focus of the conference will be to place Leonardo's trip to Tivoli within a broader cultural context. The deadline for the paper proposals is fixed at January 25th, 2019.

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• 01 fév 2019

  Zurich

  Call for papers - Language

  Theories and Methods for History of Translation

  In the first lines of his essay, L’épreuve de l’étranger (1984), Antoine Berman states that ‘the constitution of a history of translation is the first step for a modern theory of translation’ (Berman 1984: 12). This reflexion, after thirty years, cannot but appear prophetical: the study of translations shows us new ways because it thinks and rethinks itself through the lens of other disciplines and, most particularly, because it aims to be an integral part of Literary history.

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