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Beirut
Call for papers - Representation
Narrative forms and co-production in Arab cinemas
Norms, constraints, and margins of freedom
Film industry in the Arab world remains generally underdeveloped. Arab countries still depend on international film support funds, mainly European. This puts Arab producers, scriptwriters and filmmakers in a subaltern position in relation to European producers and funders, whose expectations in terms of content as well as narrative and aesthetic forms end up strongly impacting the film creation process. On the other hand, margins of freedom and resistance can be created within this system. This edition of Regards aims at addressing the complex relation between Arab cinemas and international film support funds.
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Beirut
Challenging Power and Inequality: Gender and Social Justice in the Middle East
Lebanon Support is seeking submissions for the 2021 issue of the Civil Society Review on Challenging Power and Inequality: Gender and Social Justice in the Middle East. This CSR issue is interested in exploring the current landscape of gender and social justice activism both in Lebanon and across the MENA region through the lens of the myriad power dynamics embedded within the fields of “gender” and “gender equality” work and activism.
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Beirut
Political economy of research in social sciences in the Arab world
Lebanon Support is seeking submissions for the 2021 issue of the Civil Society Review on Political economy of research in social sciences in the Arab world. Axes of reflection identified and that can guide contributions: Institutional configurations and actors’ rationale in the Arab world: how are political economies of research in social sciences organised?, Research agendas, methods and paradigms: the constrained choices of research., Researchers’ trajectories in the Arab world: functions, carriers, values.
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Beirut
Call for papers - Representation
Narrative forms and co-production in Arab cinemas
Norms, constraints, and margins of freedom
Film industry in the Arab world remains generally underdeveloped. Arab countries still depend on international film support funds, mainly European. This puts Arab producers, scriptwriters and filmmakers in a subaltern position in relation to European producers and funders, whose expectations in terms of content and narrative forms end up strongly impacting the film creation process. On the other hand, margins of freedom and resistance can be created within this system. This conference aims at addressing the complex relation between Arab cinemas and international film support funds.
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