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  • Porto Alegre

    Call for papers - Sociology

    Quantum Social Theory: The Future of Sociology?

    In sociology, without explicit basis on quantum theory, numerous streams established strong similarities with it, setting at the forefront of their paradigm: the subjectivity of the observer, the continuous adjustment between the object and the observer, the impossibility to be fully deterministic or discussions about an objective reality. In this session, we invite panellists to discuss the links that can be drawn between quantum theory and sociology. We welcome both empirical (qualitative or quantitative) as well as theoretical papers. Depending on the variety and the quality of the papers, a publication will be considered to set the basis of this emerging theoretical stream.

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  • Porto Alegre

    Call for papers - Modern

    Memory of Migrations and Diasporas / Family Memories of Mass Violence and Slavery

    International Sociological Association forum of sociology 2020

    For the IVth ISA (International Sociological Association) Forum that will take place in Porto Alegre, Brazil, we organize two sessions with the Research Committee Historical Sociology. We would like to welcome contributors from a wide variety of research fields in order to discuss issues related to social, cultural and collective memory. One of the sessions will focus on migrations and diasporic experiences, in particular on family memories. The second session is about intergenerational transmission in families in contexts of mass violence, slavery or war.

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  • Bogotá

    Call for papers - Ethnology, anthropology

    Music, Tradition and Creativity in the Digital Era

    New Ethnomusicological Perspectives From the Global South

    This Symposium will explore how digital media and new technologies have affected the ways through which musicians, producers and researchers experiment and engage with "traditional" musical forms, in Colombia and in other parts of the world. The participants are invited to share their research results and methodological experimentations in the field of applied ethnomusicology, music pedagogy, performance, digital audio production or digital humanities about the study of the impact of digital technologies about current musical practices. This Symposium will also include the presence of several local musicians and producers who will conduct workshops on "traditional" Colombian music and music from other countries of the global South.

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  • João Pessoa

    Call for papers - Modern

    Estudos feministas e de gênero em jornalismo: história, metodologia e epistemologia

    Revista Âncora - Revista Latino-americana de Jornalismo (UFPB)

    A Revista Âncora - Revista Latino-americana de Jornalismo - lança seu novo dossiê temático que tem como título «Estudos feministas e de gênero em jornalismo: história, metodologia e epistemologia». A trajetória da relação ambígua e potente entre o feminismo e a academia é longa. Dos chamados estudos de mulheres, até a década de 1970, ao campo dos estudos de gêneros, que se intensificaram a partir da década de 1980, a atuação de feministas dentro das universidades provocou tensionamentos em alicerces importantes do que tradicionalmente se entendia por conhecimento válido, assim como o perfil e atributos esperados para caracterizar o então sujeito produtor do saber científico. 

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  • Buenos Aires

    Call for papers - History

    The cultural heritage of ports

    Dans une perspective internationale et avec des approches méthodologiques différentes, ce quatrième colloque international sur le patrimoine culturel portuaire vise à approfondir les expériences de préservation des paysages portuaires. Le champ de présentation des recherches porte également sur le devenir des relations entre le port et la ville, d'un point de vue interdisciplinaire et inter-institutionnel. Le choix du musée Benito Quinquela Martín à Buenos Aires comme lieu de rencontre revêt une importance particulière en raison de la place de La Boca, premier port de l'histoire argentine.

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  • Rio de Janeiro

    Conference, symposium - Modern

    Artists' representations

    X D. João VI Museum Seminar

    The ways in which we understand this figure in the history of art are the result of the visual and textual discourses built upon it. Its representations are present in portraits and self-portraits, sculptures, paintings, engravings and objects. It is also built through artistic criticism, the press, caricature, pieces of literature, biographies, or autobiographies. From texts of self-promotion to cinematographic works, we are interested in all forms of representation of the artist's figure, both visual and textual. Our temporal range is ample, reflections on the artist in diverse historical places and periods, including contemporaneity, are emphasized in the Brazilian and Latin American context, without ignoring comparative perspectives. Our starting point is the following question: In what ways have the transformations of perception about artists and their meanings (social, cultural, symbolic and political) marked the writings of art history?

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  • Rio de Janeiro

    Conference, symposium - Modern

    Artists’ collections

    Art Collections in Portugal and Brazil in the 19th and 20th centuries

    What are the representations of the artist's figure and how have they transformed over time? Intellectuals or artisans, martyrs or demons, naive or revolutionary, madmen or philosophers? Possibly, artists have been and still are characters in which several layers of interpretation coexist and blend. In this X edition of the D. João VI Museum Seminar, we present the theme "artist’s represetations", in parallel to the exhibition organized by Pinacoteca do Estado de São Paulo and the Brazilian Museum of Fine Arts, with the objective of investigating the historical constructions of the artist's image, bringing the reflection to the Brazilian and Latin American context, past and present. This has been extensively explored in French and English literature and acquires special relevance in this specific geographic universe, marked by the social distinctions concerning manual labor and the late formation of the art medium in the modern sense, after the formation of the academies and an artistic promotion system through exhibitions and the art market.

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