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Porto Alegre
Memory of Migrations and Diasporas / Family Memories of Mass Violence and Slavery
International Sociological Association forum of sociology 2020
For the IVth ISA (International Sociological Association) Forum that will take place in Porto Alegre, Brazil, we organize two sessions with the Research Committee Historical Sociology. We would like to welcome contributors from a wide variety of research fields in order to discuss issues related to social, cultural and collective memory. One of the sessions will focus on migrations and diasporic experiences, in particular on family memories. The second session is about intergenerational transmission in families in contexts of mass violence, slavery or war.
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Salvador | São Francisco do Conde
Afro-decolonial perspectives - practical and theoretical issues
Representations of Africans and Afro-descendants in school manuals
Ce colloque-atelier est le fruit des résultats d'un précédent colloque qui a eu lieu à Saint-Louis à l'université Gaston Berger au Sénégal. Son objectif ne sera pas la création de manuels scolaires au format papier mais la création d’une plateforme digitale où les membres du réseau pourront mettre en ligne des supports de tous types (textes, photos, vidéos, audio, peintures, etc.) en rapport avec les cultures africaines et afro-diasporiques. Ainsi, chaque enseignant, animateur culturel, artiste, éducateur aura accès aux sources primaires partout dans le monde. Cependant, cette initiative n’empêche pas à postériori la création de livres au format papier. C’est pourquoi l’optique de cette rencontre sera beaucoup plus ciblée sur les pratiques pédagogiques et didactiques.
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Salvador
Miscellaneous information - Representation
Clube de leitura de textos literários promove discussões sobre a questão migratória
Leituras dos girassóis (2019)
O Leituras dos girassóis é um clube de leitura que promove discussões virtuais sobre textos literários que visibilizam a questão migratória. Acompanhe a programação de 2019 e participe deste movimento.
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Rio de Janeiro
Conference, symposium - Modern
X D. João VI Museum Seminar
The ways in which we understand this figure in the history of art are the result of the visual and textual discourses built upon it. Its representations are present in portraits and self-portraits, sculptures, paintings, engravings and objects. It is also built through artistic criticism, the press, caricature, pieces of literature, biographies, or autobiographies. From texts of self-promotion to cinematographic works, we are interested in all forms of representation of the artist's figure, both visual and textual. Our temporal range is ample, reflections on the artist in diverse historical places and periods, including contemporaneity, are emphasized in the Brazilian and Latin American context, without ignoring comparative perspectives. Our starting point is the following question: In what ways have the transformations of perception about artists and their meanings (social, cultural, symbolic and political) marked the writings of art history?
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Rio de Janeiro
Conference, symposium - Modern
Art Collections in Portugal and Brazil in the 19th and 20th centuries
What are the representations of the artist's figure and how have they transformed over time? Intellectuals or artisans, martyrs or demons, naive or revolutionary, madmen or philosophers? Possibly, artists have been and still are characters in which several layers of interpretation coexist and blend. In this X edition of the D. João VI Museum Seminar, we present the theme "artist’s represetations", in parallel to the exhibition organized by Pinacoteca do Estado de São Paulo and the Brazilian Museum of Fine Arts, with the objective of investigating the historical constructions of the artist's image, bringing the reflection to the Brazilian and Latin American context, past and present. This has been extensively explored in French and English literature and acquires special relevance in this specific geographic universe, marked by the social distinctions concerning manual labor and the late formation of the art medium in the modern sense, after the formation of the academies and an artistic promotion system through exhibitions and the art market.
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