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• 30 sep 2019

  Porto Alegre

  Appel à contribution - Sociologie

  Quantum Social Theory: The Future of Sociology?

  In sociology, without explicit basis on quantum theory, numerous streams established strong similarities with it, setting at the forefront of their paradigm: the subjectivity of the observer, the continuous adjustment between the object and the observer, the impossibility to be fully deterministic or discussions about an objective reality. In this session, we invite panellists to discuss the links that can be drawn between quantum theory and sociology. We welcome both empirical (qualitative or quantitative) as well as theoretical papers. Depending on the variety and the quality of the papers, a publication will be considered to set the basis of this emerging theoretical stream.

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• 20 sep 2019

  Porto Alegre

  Appel à contribution - Époque contemporaine

  Memory of Migrations and Diasporas / Family Memories of Mass Violence and Slavery

  International Sociological Association forum of sociology 2020

  For the IV^th ISA (International Sociological Association) Forum that will take place in Porto Alegre, Brazil, we organize two sessions with the Research Committee Historical Sociology. We would like to welcome contributors from a wide variety of research fields in order to discuss issues related to social, cultural and collective memory. One of the sessions will focus on migrations and diasporic experiences, in particular on family memories. The second session is about intergenerational transmission in families in contexts of mass violence, slavery or war.

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• 30 aoû 2019

  João Pessoa

  Appel à contribution - Époque contemporaine

  Estudos feministas e de gênero em jornalismo: história, metodologia e epistemologia

  Revista Âncora - Revista Latino-americana de Jornalismo (UFPB)

  A Revista Âncora - Revista Latino-americana de Jornalismo - lança seu novo dossiê temático que tem como título «Estudos feministas e de gênero em jornalismo: história, metodologia e epistemologia». A trajetória da relação ambígua e potente entre o feminismo e a academia é longa. Dos chamados estudos de mulheres, até a década de 1970, ao campo dos estudos de gêneros, que se intensificaram a partir da década de 1980, a atuação de feministas dentro das universidades provocou tensionamentos em alicerces importantes do que tradicionalmente se entendia por conhecimento válido, assim como o perfil e atributos esperados para caracterizar o então sujeito produtor do saber científico. 

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• 15 jan 2019

  Rio de Janeiro

  Colloque - Époque contemporaine

  Artist’s representations

  X D. João VI Museum Seminar

  The ways in which we understand this figure in the history of art are the result of the visual and textual discourses built upon it. Its representations are present in portraits and self-portraits, sculptures, paintings, engravings and objects. It is also built through artistic criticism, the press, caricature, pieces of literature, biographies, or autobiographies. From texts of self-promotion to cinematographic works, we are interested in all forms of representation of the artist's figure, both visual and textual. Our temporal range is ample, reflections on the artist in diverse historical places and periods, including contemporaneity, are emphasized in the Brazilian and Latin American context, without ignoring comparative perspectives. Our starting point is the following question: In what ways have the transformations of perception about artists and their meanings (social, cultural, symbolic and political) marked the writings of art history?

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• 15 jan 2019

  Rio de Janeiro

  Colloque - Époque contemporaine

  Collections d’artistes

  Collections d’Art au Portugal et au Brésil - XIXe et XXe siècles

  Quelles sont les représentations de la figure de l’artiste et comment ces représentations se sont-elles modifiées à la longue? Intellectuels ou artisans, martyres ou demons, naïfs ou révolutionnaires, fous ou philosophes? Possiblement, les artistes ont été et sont toujours des personnages où plusieurs couches d’interprétation coexistent et se mélangent. Dans cette Xe édition du Colloque du Musée D. João VI, nous présentont le thème “l’artiste en représentation”, en parallèle à l’exposition Travail d’artiste: image et image de soi (1826-1929) organisée par la Pinacoteca do Estado de São Paulo et le Museu Nacional de Belas Artes, en ayant l’objectif d’interroger les constructions historiques de l’image de l’artiste, en apportant cette réflexion au contexte brésilien et latino-américain dans le passé et dans nos jours. Le thème, beaucoup étudié dans la littérature en langue française et anglaise, acquiert une pertinence particulière dans cet univers géographique marqué par les distinctions sociales en rapport avec le travail manuel et la formation tardive du milieu artistique dans le sens moderne, à la suite de la formation des académies et du système de promotion artistique dans les expositions  et au marché de l’art.

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