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  • Chicago

    Call for papers - Modern

    European and global responses to the concept of “literary engagement” between 1945 and 1968

    ACLA 2020 panel

    The question of “engagement” (or commitment) became one of the defining elements of post-WWII literature and was, for a long period, at the center of the discussions about the relationship between aesthetics and politics in several European countries. Commonly associated with the name of Jean-Paul Sartre, the success of the notion of “committed literature,” however, went well beyond the French national space. This panel focuses on the transnational circulation of the concept of “committed literature” and, more broadly, on the circulation of related notions, such as writers’ “responsibility,” as well as on any type of counter-discourse or counter-theory targeting “committed literature.”  We would like to explore the different degrees of transnational propagation and dissemination of these debates both in regions that absorbed the intellectual debates taking place in France and in the case of countries which remained more impermeable to them. 

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  • Ottawa

    Conference, symposium - History

    Borders

    72nd IHAF congress

    Le plus grand congrès réunissant les historiennes et historiens de l'Amérique française aura lieu cette année à Ottawa pour sa 72e édition. Plus de 120 communications aborderont avec des angles, des approches et des questions diverses le thème des Frontière/s. Comment s’exprime, en différentes époques, la notion de frontière en Amérique française? Comment évolue-t-elle au fil des siècles? Quelles sont ses représentations? Quels types de pouvoir impose-t-elle? C’est autour de ces questions que nous engageons les participant.e.s à proposer des pistes d’analyse empiriques, théoriques ou épistémologiques qui permettront de mieux problématiser la frontière.

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  • St Louis

    Call for papers - Europe

    “Faceless”: A Journal on the Works of Pascal Quignard – Varia

    Le sans-visage, a bilingual, international and interdisciplinary journal, publishes articles on all aspects of Pascal Quignard’s works. It particularly welcomes new perspectives, essays by junior researchers, and interdisciplinary approaches, to which a special section is devoted in every issue. It also welcomes creative pieces.

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