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Beirut
Call for papers - Representation
Narrative forms and co-production in Arab cinemas
Norms, constraints, and margins of freedom
Film industry in the Arab world remains generally underdeveloped. Arab countries still depend on international film support funds, mainly European. This puts Arab producers, scriptwriters and filmmakers in a subaltern position in relation to European producers and funders, whose expectations in terms of content as well as narrative and aesthetic forms end up strongly impacting the film creation process. On the other hand, margins of freedom and resistance can be created within this system. This edition of Regards aims at addressing the complex relation between Arab cinemas and international film support funds.
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Fréjus
Citizenship in the north and south of the Mediterranean
Actions, objects, relations: an interdisciplinary perspective
Cet atelier doctoral vise à dégager des pistes pour repenser la citoyenneté en Méditerranée, en désincrustant celle-ci des essentialisations culturelles, des épistémès disciplinaires, et des traditions historiographiques nationales. Il part d’une définition large de la citoyenneté, qui ne se restreint pas à l’obtention d’un statut conditionnant l’exercice de droits politiques, mais qui prend en compte les processus de construction des droits d’accès aux ressources locales (telles que le travail, le logement, l’assistance etc.). En adoptant une perspective interdisciplinaire, ce projet veut faire dialoguer, à partir de terrains géographiques et d’époques différentes, des conditions d’affirmation citoyenne formalisées par l’inégal droit d’accès aux ressources locales.
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Beirut
Call for papers - Representation
The Body in all its states. Aesthetics of the body in the Arab World
"Regard" Journal
The current issue of Regards will focus on the relations between the arts (cinema, theater, dance, visual arts…) and the body in the Arab societies and, more broadly, in the Mediterranean region. This sensitive subject suffers from prejudgment and prejudice in both audience’s and critics’ minds.
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