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• 16 mai 2019

  17 mai 2019

  18 mai 2019

  Paris

  Conference, symposium - Thought

  Amor mundi. The political use of thought

  Tribute to Étienne Tassin

  Le monde, selon Étienne Tassin (1955-2018), est le commun qui se tisse entre des acteurs et des actrices qui ne partagent aucune communauté préalable, mais qui fait naitre un réseau de relations accueillant la division et la conflictualité. Agir politiquement n’est pas se soucier de soi mais se soucier du monde, dans une perspective cosmo-politique, réactivée de nos jours comme « politique des étrangers non pas faite à leur intention mais en leur compagnie ». Corrélativement, « prendre soin du monde, Amor mundi », désigne aussi « la signification politique de l’activité de penser ». Qui était Étienne ? Que nous donnent à penser l’œuvre qu’il laisse mais aussi sa façon d’être au monde ? Venu-e-s pour une part d’Outre-mer, d’Outre-Atlantique et d’Afrique, ceux et celles qui lui rendront hommage tenteront d’en témoigner.

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• 21 jan 2019	19 mar 2019	15 avr 2019
  24 avr 2019	06 mai 2019	...

  Paris

  Seminar - Sociology

  The globalisation of the racial referential. Europe, North America, South America (20th-21st centuries)

  Global Race (2019)

  The “Global Race” ANR project investigates the reconfigurations of the race concept since 1945 in Europe, North America and Latin America. It aims at examining various theories and practices regarding the use of racial and ethnic categories in the scientific, political, legal and statistical realms. Researchers working on these issues are invited to present their work during our monthly seminar.

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• 08 avr 2019

  Guildford

  Call for papers - Representation

  Dispossession: Agency, ecology and theatrical reality

  TaPRA Theatre, Performance and Philosophy Working Group

  In Ursula Le Guin’s 1974 novel The Dispossessed: An Ambiguous Utopia, children are educated to engage only with what interests others; the opposite is considered self-indulgence, condemned as “egoizing”. The disowning of any idea of the self is considered a virtue, as is the ability to speak the language of others. Le Guin’s novel fictionalises a common narrative in processes of 20^th and early 21^st century art: the withdrawal of the self. In relation to concurrent processes that reclaim agency for those who are already dispossessed, that call for the legitimisation of systematically marginalised voices, is the withdrawal of the self merely a privilege? How might wilful dispossession and agency be related through difference, as interconnected transitions of power, in such a way that reveals theatricality in the construction of reality?

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